What would you most like readers to take from your book?
I want my readers to see that the legend of King Arthur, as written by Geoffrey of Monmouth, encapsulates the ‘medieval cultural synthesis’ of the Judeo-Christian, Greco-Roman, and Celtic-Teutonic traditions. I describe Arthur in my book as a composite figure, a “best of” kings compilation. In Arthur one finds dimensions of King David, Alexander the Great, King Æthelstan, King Canute, Charlemagne, and the early Norman kings of England. Geoffrey’s Arthur can be understood as a patriotic resistance fighter and as a champion of established institutional authority. Geoffrey’s History of the Kings of Britain was to the post-Conquest kings of England what Virgil’s Aeneid was to Caesar Augustus. In the History of the Kings of Britain, we find a divinely-ordained, manifest destiny of imperial attainment; recurrent patterns of history that provide an intoxicating blend of mystery and meaning to the past, present and future; instruction on good kingship and good vassalage; and hope for an idyllic future, which can be described as a more perfect version of an already idealized past. The breadth of sources and traditions that Geoffrey drew upon when constructing Arthur combined with his tailoring of the figure to appeal to the particular imperial ambitions of England’s monarchs was the key to Arthur’s enduring appeal. Arthur is a king for all seasons. I seek to situate the medieval Arthurian tradition within the broader context and patterns of Western Civilization, and my hope is that my work will contribute to the recognition of Geoffrey of Monmouth’s History of the Kings of Britain as an integral part of the western canon.
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