Color

The white marble temples and statues of ancient Greece, and the grey limestone cathedrals of medieval Europe, did not look like that to contemporaries. In fact, they were painted in a riot of color, which is not exactly to our taste. Perhaps as a consequence, the paint has been allowed to fade and has not been restored. At Amiens Cathedral, however, cleaning efforts in the 1990s revealed what the original colors were; they then figured out a way to project colored light onto the statuary on the façade to indicate how it may have appeared in the thirteenth century (hat tip: Michelle Armstrong-Partida). In a similar fashion, Vinzenz Brinkmann and Ulrike Koch-Brinkmann have spent two decades using “several high-tech methods to uncover the true intended appearances of ancient artwork,” including X-ray fluorescence, infrared spectroscopy, and ultraviolet analysis. This allows them to make digital images of the statues as they may have originally appeared.

Both links will take you to some very interesting illustrations.

More Videos

From my friend Alex Blomerus, a link to Altair4, a company that digitally recreates historic sites, like the Ara Pacis and the Forum of Augustus or Ostia Antica and Trajan’s Harbor.

A company that has used their services has been Hermis, whose Ancient Acropolis video is interesting (although, as Alex notes, there’s “lots missing. No stairs to the north of the Erechtheion, no Old Temple, no altar.” So viewer discretion is advised!)

Pompeii and Vesuvius

From Kelly DeVries, an interesting link, which features computer animated video of the destruction of the Roman town of Pompeii by the eruption of Mount Vesuvius in AD 79.

A good disaster story never fails to fascinate — and, given that it actually happened, the story of Pompeii especially so. Buried and thus frozen in time by the eruption of Mount Vesuvius in 79 AD, the ancient Roman town of 11,000 has provided an object of great historical interest ever since its rediscovery in 1599. Baths, houses, tools and other possessions (including plenty of wine bottles), frescoes, graffiti, an amphitheater, an aqueduct, the “Villa of the Mysteries“: Pompeii has it all, as far as the stuff of first-century Roman life goes.

The ash-preserved ruins of Pompeii, more than any other source, have provided historians with a window into just what life in that time and place was like. A Day in Pompeii, an exhibition held at the Melbourne Museum in 2009, gave its more than 330,000 visitors a chance to experience Pompeii’s life even more vividly. The exhibition included a 3D theater installation that featured the animation above. Watch it, and you can see Pompeii brought back to life with computer-generated imagery — and then, in snapshots over the course of 48 hours, entombed by Vesuvius again.

I wish they had used “the third hour” or “the sixth hour” instead of “9:00 a.m.” or “12:00 p.m.” They do use A.D., however!

Tall Ships on the Great Lakes

From MLive.com:

Fleet of 20 tall ships to race across Great Lakes this summer

At least 20 tall ships are scheduled to visit each of the Great Lakes this year; a fleet that includes a replica Viking longship and a 170-foot Spanish Galleon making their debut on America’s freshwater seas.

The El Galeon Andalucia, a 495-ton, authentic wooden replica of a galleon that was part of Spain’s West Indies fleet, and the Dragon Harald Fairhar, a replica Viking longship built in Norway, are crossing the Atlantic Ocean this year to join the Tall Ships Challengereturning to the Great Lakes in 2016.

The fleet will sail the lakes over the course of four months, with scheduled port stops and races on lakes Ontario, Erie, Huron, Michigan and Superior between July and September.

The organized tall ships show last visited Michigan in 2013.

“In between each of the ports, they will be racing,” said Erin Short, challenge manager for Rhode Island-based Tall Ships America.

Although there are numerous tall ships that are home-ported around the Great Lakes, the challenge brings them all together into a large, international fleet with a structured schedule, said Short.

The entire roster has not been announced, but the fleet will make port at least 8 times in the Great Lakes this summer.

More at the link, including photos of the ships and the actual schedule of where and when they will all be stopping.

Here is a photo of Lake Ontario that I took on Christmas Eve at Port Hope, Ontario:

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Bayeux Tapestry Pictures

As promised, photographs of the Bayeux Tapestry reception at the University of North Georgia this past Friday. They were all taken on my iPhone; apologies for the general lack of quality.

Here is the obligatory picture of Price Memorial Hall:

The whole tapestry is pretty much to scale, although it is not embroidered, but painted with acrylic paint in colors closely matching the original.

It is a pleasure to see the whole thing as a continuous frieze, rather than the discrete chunks that publishers must break it into in order to publish it in a book.

The Tapestry is some 230 feet long; it continued on the outside of the U:

In this format, one certainly notices details that one may have previously missed.

Participants included Christopher Jespersen, Dean of Arts and Letters, as MC:

Judge Edd Wheeler, sponsor of this reproduction:

Theresa Jespersen of Holy Innocents’ Episcopal School, who spoke about the Bayeux Tapestry (and other artifacts) as teaching tools:

Kelly DeVries of Loyola University, Maryland, who spoke about military technology on display in the tapestry:

Glen Kyle of the Northeast Georgia History Center in period costume, and Tim May, associate dean of the College of Arts and Letters:

At the end of the evening the reproduction was rolled up into a specially designed box: