Exam Question

Both the Vikings (around the year 1000) and the Spanish (from 1492) were Europeans who set foot in the New World. But a majority of the people in the New World now speak Spanish as their native language, while virtually no one speaks Old Norse. What explains the Spanish success at colonization?

This question uses language as a gauge of colonial success, but does it deserve to be? A fuller picture involving law, religion, technology, music, clothing, and other folkways might be more useful. There may, after all, be something “recessive” about some languages. As we learned in class, everywhere the Vikings settled, whether northern England, Ireland, Normandy, or Russia, saw them lose their language within a generation – often without them losing their fighting spirit! The only place this did not occur was Iceland, where there was no local population to get absorbed into. If the settlement at L’Anse aux Meadows was not abandoned, it is entirely possible that John Cabot, when he arrived in Newfoundland in 1497, would have been surprised to meet blonde-haired Beothuks employing Viking technology. That might indicate some colonial success. Similarly, in Latin America, Spanish may have extinguished native languages, but many native customs continued unmolested.

Be that as it may, it is manifestly apparent that the Spanish colonial enterprise was more successful than the Viking by any number of metrics. L’Anse Aux Meadows was occupied for perhaps five years, and the two small Greenland settlements were abandoned in the fifteenth century, while much of the New World was “New Spain” from the sixteenth to the nineteenth centuries. What explains the difference?

One explanation might be simple geography. Greenland and Newfoundland, even in the medieval warm period, did not have as much to offer in terms of exploitable resources as Central America and the Caribbean. Similarly, the Aztec and Incan empires were already civilized, and all the Spanish needed to do was replace the rulers at the top to win the whole thing; the conquering had already been done for them. Such conditions did not prevail in the extreme northeast.

But differences in time are probably more significant. The five-hundred year gap between Leif Erikson and Hernán Cortés saw the advent of a number of technological and cultural changes that gave an impressive advantage to the Spanish in their colonial endeavors. The medieval silk road that flourished under the Mongols gave Europeans a taste for Asian luxury goods, and the advent of the Ottoman Empire, which impeded this traffic, impelled Europeans to find alternate routes to Asia. Various technologies borrowed from the Arabs and/or developed through Mediterranean commerce allowed Europeans to sail longer distances out of sight of land, such as lateen sails and fixed rudders (allowing ships to tack against the wind, and obviating the need for galley crews), the astrolabe (for determining latitude), the magnetic compass (for determining cardinal directions when the sun or stars are occluded), or the traverse board (for plotting distance traveled). Such technologies allowed for a transatlantic voyage, something the Vikings were not capable of. That it was the Spanish who discovered the New World is also no accident – the union of Castile and Aragon, and its 1492 defeat of Grenada, completing the reconquista, gave it an overweening sense of self-confidence. God was on their side! The fact that Portugal was establishing a route to Asia down the coast of Africa make the Spanish fearful, and willing to gamble on a trans-Oceanic route. This is another difference between 1000 and 1500 – states were simply more powerful, and in competition with each other.

But perhaps the most significant event to occur in Europe between 1000 and 1500 was the Black Death. Europeans alive in 1500 were the descendants of people who had survived the plague (and other diseases like smallpox and swine influenza). They could still die from these diseases, of course, but they had a much greater chance of surviving them than did the native Americans, whose bodies were more evolved to counter parasites than microbes. This biological weapon (coupled with other weapons like firearms and steel swords, the other points of Jared Diamond’s triad, and domesticated fauna like attack dogs and ridable horses), gave the Spanish, and eventually other Europeans, an overwhelming advantage at conquest and colonization.

Angel Roofs

From my friend Tim Emmett, pastor of the Waleska UMC, an interesting gallery on BBC Travel of photographs of angel roofs, which were a regular feature of late medieval English church architecture. The first caption reads:

Think of medieval England’s finest gems, and castles probably come to mind first. But the country has another type of treasure that few people know about: angel roofs. Built between 1395 and the English Reformation of the mid-1500s, these roofs are decorated with intricately carved wooden angels. Only 170 survive today. Because so little of the art from England’s medieval churches survived the Reformation, that still makes these cherubim “the largest surviving body of major English medieval wood sculpture”, writes photographer and expert Michael Rimmer in his book The Angel Roofs of East Anglia: Unseen Masterpieces of the Middle Ages.

Click the link to see a collection of Rimmer’s photographs. I had no idea these were a thing, nor that the Reformation had such a problem with them (after all, angels were biblical – unlike saints!).

The Queer Middle Ages

From my friend Bill Campbell on Facebook:

Today’s bit of “you couldn’t make this up” medieval weirdness: The Fourth Lateran Council (1215) ruled that “All the faithful of both sexes, having reached the age of discretion, must confess to their own priest at least once per year.” But “own priest” seemed to rule out confessing to a friar, and this caused lots of problems. In 1379, one enterprising English Dominican, Richard Helmslay, tried to cut this Gordian knot by arguing that the law really only applied to hermaphrodites – that is, the faithful of “both sexes”. (The bishop was not amused.)

The Green Knight

From the anonymous fourteenth-century poem Sir Gawain and the Green Knight (Fit I, lines 136-150, trans. Bernard O’Donoghue):

a monstrous apparition strode in the door,
one of the tallest creatures in the whole of the earth.
So square and powerful from neck to waist,
his thighs and his forearms so muscly and long
you’d think that he was some kind of half-giant.
But I think what he was was the hugest of men,
the most pleased with his size of anyone living.
For, though his back and his chest were incredibly big,
his stomach and waist were fashionable trim,
and all his features in proportion, given his size, exactly right.
They were shocked by his colour though,
apparent at first glance;
what was most uncanny was
he was green from head to toe!

Later on in the poem it is revealed that this Green Knight is in fact Lord Bertilak, Gawain’s host, transformed through the magic of Morgan le Fay.

Thus I believe that I have discovered the origins of Marvel’s Incredible Hulk. The Hulk is also entirely green, the monstrous alter ego of a regular human and, when transformed, has a much broader chest than waist (the Hulk’s shirts would always rip off, but never his pants).

Icons

The icon (from Greek εἰκών, meaning “image”) is a distinctive feature of Orthodox Christianity (Greek, Russian, Serbian, etc.). The classic icon is a frontal portrait of Jesus, Mary, or some other saint, although icons illustrating a scene are also common. You know them when you see them: the style is unmistakable. They tend to be flat and richly ornamented, giving a deliberately otherworldly appearance to their subjects. There are also many rules that one must follow in the making [sic – not “painting”] of an icon. Bishops hold a bible in their left hand and give a blessing with their right. Jesus wears a red tunic and a blue cloak, and his halo has a cross on it. And so on. Here are two examples from my collection:

George1

The original image of St. George, as a young, beardless man with tightly curled hair, in armor and carrying a shield and lance.

George2

St. George “the trophy-bearer” in action – riding a white horse and spearing the dragon through its mouth.

Why the particular style? Why are they so important to Orthodox worship? One must realize that these are not just pictures for the edification of the faithful, of the sort that might appear in The Bible Story, The Watchtower, or the Book of Mormon. Orthodox icons have power. You could pray to a saint near his image, and he would be much more likely to hear your petition. Particular icons are even thaumaturgic, such as the icons of the Virgin Mary on Mount Athos in Greece – one of which is formally appointed the abbot of a monastery, and has two feast days. In other words, in the east, icons function like saints’ relics. (I like the theory that it is on account of relics that icons acquired their special purpose. No one is going to keep the bone of a saint just lying around, but is going to house it in a nice reliquary. A picture of the saint on the top of the reliquary would tell you whose relic it was; as long as you made an accurate copy of the picture, the miraculous qualities of the relic would be transferred to the new image.)

But there’s a problem here, isn’t there? Christian practice evolves, of course, but seldom to the point where it is completely at odds with an important dictum from scripture, in this case the Second Commandment:

You shall not make for yourself an image in the form of anything in heaven above or on the earth beneath or in the waters below. You shall not bow down to them or worship them.

Now, only the most eccentric Christians would interpret this to mean that all representational art, or even just religious art, should be forbidden (Martin Luther: “If it is not a sin but good to have the image of Christ in my heart, why should it be a sin to have it in my eyes?”) And given that this rule is found in the Old Testament, has it not been trumped by the New, and to be cast aside like kashrut or the prohibition against sowing different crops in the same field? Perhaps – but surely of all that we find in the Old Testament, the Ten Commandments are still binding. And praying to (a saint through) an icon sure looks like “bowing down” and “worshiping” an image, doesn’t it, thereby violating the real spirit of this law?

Thus did Byzantine Emperor Leo III, in the 720s, order the removal and destruction of icons from the lands under his control. Was this spurred by a genuine religious feeling, prompted by recent natural disasters and military losses? Or was there something more political to it? (The theory I’ve heard is that the monasteries that produced icons were growing too powerful, and Leo wanted to undercut them – apparently there may have been a “class struggle” aspect to it as well). This iconoclastic movement survived Leo and did not fully end until 842, at which time Theodora, regent for the young Michael III, called it off. Ever since then the first Sunday in Lent is designated the Feast of Orthodoxy and celebrates the return of icons to their rightful place in Orthodox worship. At the time, though, all it succeeded in doing was driving the Greek and Roman Christianity further apart and may have had a role to play in the pope’s consecration of Charlemagne as Emperor of the West in AD 800. The Catholic Church did not venerate icons as such, but they were fully behind religious images and were appalled at how the Byzantines had apparently gone insane. As far as they were concerned, Jesus himself invalidated the Second Commandment – when he came to Earth, he became an “image” of something in heaven. Thus to reject images is to reject the Incarnation.

GMG @ KSU

Another awesome meeting of the Georgia Medievalists’ Group took place today at Kennesaw State University. Thanks to Brian Swain for volunteering the venue. This one was particularly stimulating, with lengthy discussion after each paper. These were:

Tom McMaster, Kennesaw State University: “The Virginal Slave? Honor, slavery, and sanctity in the early medieval world”

Wendy Turner, Augusta University: “Irish and English Law on Treatment of the Mentally Impaired”

Alice Klima, University of Georgia: “Statutes as Structure: The Bohemian Monastery at Roudnice on the Elbe”

Brian Swain, Kennesaw State University: “Coping as a Roman Goth During a Roman-Gothic War: The Case of Jordanes”

Some photos:

tombrian

Tom MacMaster and Brian Swain.

wendy

Wendy Turner, Andrew Kurt, Jamie MacCandless, and Christina Heckman.

Templars

Crusade historian Christopher Tyerman once wrote that:

The Templars occupy a prominent place in the pantheon of Alternative History of the ‘what they have tried to conceal from us’ genre, championed by obsessive, swivel-eyed anoraks and conspiracy theorists allied to cool money sharks bent on the commercial exploitation of public credulity.

Now I wouldn’t put it quite that way, but it’s true: like the Bermuda Triangle, the lost continent of Atlantis, and the Nazca Lines, the Templars do tend to attract a good deal of Speculation. The Templars, or more formally “The Poor Fellow-Soldiers of Christ and of the Temple of Solomon,” were founded as a religious order in 1119 in the Crusader kingdom of Jerusalem. Like the crusading movement itself, they represented “a fusion of Christian and military practice” – that is, the members took vows of poverty, chastity, and obedience, but instead of praying eight times a day and copying out manuscripts like monks, they practiced horsemanship, guarded pilgrims to the Holy Land, and fought Muslims as they needed to, like knights. (This is definitely a novelty – prior to the late eleventh century the Church did not like knighthood much, but after numerous unsuccessful attempts at regulating it, the Church threw in the towel, and gave it their blessing – but only if the knights exercised their craft far from Europe, and against non-Christians. Thus were they allowed to organize themselves into religious orders.) What attracts everyone’s attention is the Templars’ sordid end: in 1312, King Philip IV of France accused them of heresy, tortured confessions out of the leadership, and prevailed on Pope Clement V to dissolve the order, after which many of them were burned at the stake. But some of the Templars, it is alleged, escaped and “went underground,” later to emerge as the Freemasons. Some of them even sailed to the New World before Columbus, which is why the fifteenth-century Rosslyn Chapel in Scotland, built by supposed crypto-Templar William Sinclair, features carvings of new world corn. One author claims they buried treasure in the Oak Island Money Pit off Nova Scotia. A student of mine once lent me a book suggesting that the Shroud of Turin actually depicts an image, not of Jesus, but of the martyred Templar Grand Master Jacques de Molay. A character in Dan Brown’s Da Vinci Code asserts that the Templars, while in the Holy Land, had uncovered evidence that the Papacy was a con job, and that the leadership of the true Church belonged to the descendants of Jesus Christ and Mary Magdalene – which is why the Pope was so keen to eradicate them.

And so on.

I tell my students that history is interesting enough without concocting such theories. The real history of the Templars touches on several late-medieval themes – among them the rising power of the king of France (at the expense of the papacy), and the desire to find a scapegoat for the loss of the Holy Land (Acre, the last Christian stronghold there, had fallen in 1291). But what it touches on the most is the money one could make as a result of the medieval commercial revolution – and the envy this provoked in others. The Templars were not just active in the Holy Land – they had chapters throughout Western Christendom (their churches were usually round, and you can visit one in London). Templars got into long-distance banking – and made a fortune, so much so that their formal title of “Poor Knights,” and their seal showing two knights riding a single horse, became ironic.

Seal_of_Templars

Wikipedia.

A BBC article, which my friend Chris Berard points me to, explores this history in greater detail. Author Tim Harford claims that they “invented modern banking.”

The Templars dedicated themselves to the defence of Christian pilgrims to Jerusalem. The city had been captured by the first crusade in 1099 and pilgrims began to stream in, travelling thousands of miles across Europe.

Those pilgrims needed to somehow fund months of food and transport and accommodation, yet avoid carrying huge sums of cash around, because that would have made them a target for robbers.

Fortunately, the Templars had that covered. A pilgrim could leave his cash at Temple Church in London, and withdraw it in Jerusalem. Instead of carrying money, he would carry a letter of credit. The Knights Templar were the Western Union of the crusades.

We don’t actually know how the Templars made this system work and protected themselves against fraud. Was there a secret code verifying the document and the traveller’s identity?

They did more than this, however:

Templars were much closer to a private bank – albeit one owned by the Pope, allied to kings and princes across Europe, and run by a partnership of monks sworn to poverty.

The Knights Templar did much more than transferring money across long distances.

As William Goetzmann describes in his book Money Changes Everything, they provided a range of recognisably modern financial services.

If you wanted to buy a nice island off the west coast of France – as King Henry III of England did in the 1200s with the island of Oleron, north-west of Bordeaux – the Templars could broker the deal.

Henry III paid £200 a year for five years to the Temple in London, then when his men took possession of the island, the Templars made sure that the seller got paid.

And in the 1200s, the Crown Jewels were kept at the Temple as security on a loan, the Templars operating as a very high-end pawn broker.

Harford goes on to say that Philip IV owed money to the Templars, and didn’t like how they operated beyond his control, and so contrived to dissolve them. But I can’t help but think there was even more at stake here. Lester Little’s Religious Poverty and the Profit Economy in Medieval Europe (1983) talks about how money made people very anxious in the Middle Ages, especially the “money from nothing” that one could get from currency exchange, lending at interest, or taking advantage of scarcity to sell at a premium. Charging more money than the “just price” for something was uncharitable and un-Christian, and if you made any extra-normal profits at all the only way to expiate your sin would be to give it all to the Church. (This helps to explain all those elaborate late medieval “wool churches” in East Anglia, and it also helps to explain the increased anti-Semitism of the High Middle Ages – Jews were increasingly shut out of various professions, leaving them in the role of the hated money lender.) It’s true that the Templars were themselves a church organization, but I suspect that just made it worse.

As unfair as their end was, however, it happened. “Templar” groups today are somewhat disreputable – at least, they have no institutional continuity with their medieval namesake. If you’re interested in joining a crusading order, try the Hospitallers, the Templars’ main rivals in the Middle Ages, who do enjoy continuity and who are thus much classier.

Heraldry Before Heraldry

In addition to the post below on medieval heraldry, I have also collected numerous examples of “heraldry” before it came into existence. For your pleasure:

• Herodotus, The Histories, book I: “The Greeks are indebted to [the Carians] for three inventions: fitting crests on helmets, painting devices on shields, and making shields with handles.”

• Numbers 2:1-2: “The Lord said to Moses and Aaron: ‘The Israelites are to camp around the tent of meeting some distance from it, each of them under their standard and holding the banners of their family.'”

• Vegetius, De Re Militari, II:18: “To prevent soldiers straying from their comrades at any time in the confusion of battle, they painted different signs for different cohorts on their shields, digmata, as they call them themselves, and it is customary to do this even now. Also the name of each soldier was inscribed in letters on the face of his shield, with a note of which cohort or century he was from.”

• Tacitus, Germania, ch. 6: “There is nothing ostentatious about [the Germans’] equipment: only their shields are picked out in the colours of their choice…. To throw away one’s shield is a supreme disgrace, and the man who has thus dishonoured himself is disbarred from attendance at sacrifice or assembly.”

• Lactantius, De Mortibus Persecutorum: “Constantine was directed in a dream to cause the heavenly sign to be delineated on the shields of his soldiers, and so to proceed to battle. He did as he had been commanded, and he marked on their shields the letter X, with a perpendicular line drawn through it and turned round thus at the top, being the cipher of Christ.”

• Beowulf (lines 331-37). Beowulf arrives at Heorot:

A high-mannered chieftain
then inquired after the ancestry of the warriors.
“From whence do you bring these embellished shields,
grey mail-shirts, masked helmets,
this stack of spears? I am spokesman here,
herald to Hrothgar; I have not seen
a body of strangers bear themselves more proudly.”

• Homer, Iliad, bk. 18. Hephaestus makes a shield for Achilles:

First of all he forged a shield that was huge and heavy,
Elaborating it about, and threw around it a shining
triple rim that glittered, and the shield strap was cast of silver.
There were five folds composing the shield itself, and upon it
he elaborated many things in his skill and craftsmanship.

(This passage is followed by 124 lines describing all those things, including the earth, the sky, the sea, the sun and moon, two cities [one celebrating a wedding feast, the other at war], a field, a vineyard, a farmyard, and a dancing floor, making it the earliest recorded blazon, and surely the longest.)

Heraldry in Medieval Literature

Largely through the readings of my interdisciplinary course on medieval chivalry, which I am teaching again this semester, I have husbanded a number of passages dealing with a favorite subject of mine: heraldry. Like Melville’s librarian, I reprint them here.

• Gerald of Wales, De principis instructione (English, 12th cent.). It’s difficult to see how exactly this would work (interior of the shield, maybe…).

When King Arthur went out to fight, he had a full-length portrait of the Blessed Virgin painted on the front of his shield, so that in the heat of battle he could always gaze upon Her; and whenever he was about to make contact with the enemy he would kiss Her feet with great devoutness.

• Geoffrey of Monmouth, History of the Kings of Britain (English, 12th cent.). This one’s a little better – and the shield has a name, to boot.

Arthur himself put on a leather jerkin worthy of so great a king. On his head he placed a golden helmet, with a crest carved in the shape of a dragon; and across his shoulders a circular shield called Pridwen, on which there was painted a likeness of the Blessed Mary, Mother of God, which forced him to be thinking perpetually of her.

• The Poem of the Cid (Spanish, 12th cent.). Don Jerome talks to the Cid, in terms not exactly in accord with his status as a cleric.

Wishing to honour myself and my order, I demand of you the privilege of striking the first blows. I carry a banner and a shield with emblem of roe deer emblazoned on them. I wish to essay my arms, as it may please God, to bring me joy and give you greater satisfaction.

• Chretien de Troyes, Lancelot (French, 13th cent.). The first herald to appear in literature does not seem to be a very competent one.

On this bed Lancelot was reclining, completely disarmed. As he lay there so uncomfortably, suddenly there appeared a fellow in his shirt-sleeves, a herald-at-arms, who had left his coat and shoes as a pledge at the tavern and came rushing in, barefoot and in a general state of undress. He found the shield in front of the door and inspected it, but was quite unable to recognize it or tell who owned it or was to bear it.

• Later in Lancelot. If you can’t impress the ladies with feats of arms, you can always do so with your knowledge of heraldry!

The queen was back in the stand with the ladies and maidens; and with them too were numerous knights without their arms who had been captured or who had taken the cross, and who interpreted for them the armorial bearings of their favourite knights. They say among themselves: “Do you see the one now with the golden band across the red shield? That’s Governal of Roberdic. And you can see that next one with an eagle and a dragon painted side by side on his shield? That’s the son of the King of Aragon, who has come to this country to win honour and renown. And can you se the one beside him who is spurring so hard and jousting so well, the one with part of his shield green with a leopard painted on it and the other half azure? That’s the much-loved Ignaures, the popular lover. That one bearing the shield with the pheasants painted beak to beak is Coguillant of Mautirec. And do you see, to his side, those two on dappled horses and with sable lions on their golden shields? One is called Semiramis and the other is his companion, which is why their shields have the same decoration. Do you see too the one whose shield is painted with a gate from which a stag seems to be emerging? I swear that’s King Yder.” Such were the explanations given in the stands.

• Chretien de Troyes, Perceval. You’ve got to get those measurements right.

While they were getting ready and arming in the hall, through the door enters Guigambresil bearing a golden shield, on which was an azure band. The band covered precisely a third of the shield, accurately measured. Guigambresil recognized the king and duly greeted him; but instead of greeting Gawain, he accused him of felony.

• Sir Gawain and the Green Knight, fit 27 (English, 14th cent.). Gawain gets his shield, and we get a different explanation for the symbolism of the pentangle than the neo-pagan one in Dan Brown’s Da Vinci Code.

Then they showed him the shield of shining gules,
With the Pentangle in pure gold depicted thereon.
He brandished it by the baldric, and about his neck
He slung it in a seemly way, and it suited him well.
And I intend to tell you, though I tarry therefore,
Why the Pentangle is proper to this prince of knights,
It is a symbol of Solomon conceived once
To betoken holy truth, by its intrinsic right,
For it is a figure which had five points,
And each line overlaps and is locked with another;
And it is endless everywhere, and the English call it,
In all the land, I hear, the Endless Knot.
Therefore it goes with Sir Gawain and his gleaming armour,
For, ever faithful in five things, each in fivefold manner,
Gawain was reported good and, like gold well refined,
He was devoid of all villainy, every virtue displaying…

• Jean Froissart, Chronicles (Netherlandish, 14th cent.). A dispute over an emblem during the Hundred Years War.

Just as Sir John Chandos had ridden round observing part of the French dispositions, so one of the French Marshals, Sir Jean de Clermont, had gone out reconnoitering the English. In doing this, it so happened that their paths crossed and that some strong words were exchanged. These knights, who were young and in love, were both wearing on their left arms the same emblem of a lady embroidered in a sunbeam. Sir Jean de Clermont was by no means pleased to see his emblem on Sir John Chandos and he pulled up in front of him and said: “I have been wanting to meet you, Chandos. Since when have you taken to wearing my emblem?” “And you mine?” said Sir John. It is as much mine as yours.” “I deny that,” said Sir Jean de Clermont, “and if there were not a truce between us, I would show you that you have no right to wear it.” “Ha,” replied Sir John, “tomorrow you will find me more than ready to prove by force that it belongs to me as much as to you.” With these words, they each turned away, but Sir Jean de Clermont shouted, as a further provocation: “That’s just the sort of boast you English make. You can never think of anything new yourselves, but whenever you see something good you just take it!”

Links

• From the BBC:

Secrets of French Diplomacy