Cowboys and Mounties

CineMasterpieces.

One enduring embodiment of the American male is the cowboy. He is a rugged individual on the western frontier, living by skill of his hand and the sweat of his brow, voluntarily submitting to a cowboy code of honor and unafraid of defending his property with armed force if need be. Innumerable Western-themed movies and television shows have ensured that we all admire cowboys, or at least that we know one when we see one, dressed in some combination of the cowboy hat, bandana, leather vest, jeans, chaps, and boots, carrying a six-shooter or lasso, and riding his trusty horse. 

Wikipedia.

A Canadian male, by contrast, will find himself well reflected by the Mountie, that is, a member of the Royal Canadian Mounted Police. A Mountie’s distinctive uniform of red tunic, Sam Browne belt, beige stetson hat, and dark blue breeches with a gold stripe down each leg make him instantly recognizable. Like the cowboy, the Mountie operates in the west of his country, and often acts independently, with a reputation of great competence and integrity, but there the similarity stops, for the Mountie represents state authority, not private enterprise. To this day the RCMP acts as Canada’s FBI, and in most provinces as the provincial police as well. That we are familiar with Mounties can also be attributed to cinema – “Northerns,” that is, Westerns set in the Yukon and featuring Mounties as the main protagonists, were popular between the wars.

The famous Marlboro Man. From The Lyrical Elitist.

This difference between the cowboy and the Mountie is one of the alleged fundamental differences between the United States and Canada. The difference is also reflected in the founding documents of each country. America’s 1776 Declaration of Independence values “Life, Liberty, and the Pursuit of Happiness,” while the British North America Act of 1867 was passed to ensure “Peace, Order, and Good Government.” It does seem to me, as someone who has lived in both countries, that Americans are more comfortable with private initiative, and Canadians with government intervention, than the opposites.

A depiction of the RCMP’s Musical Ride on the reverse of the Canadian $50 note, in circulation 1975-89. From the website of the Bank of Canada Museum.

As mentioned, Mounties enjoy a pretty good reputation. The idea is that they really do “maintain the right” (their motto), and they “always get their man.” The cartoon character Dudley Do-Right, from The Rocky and Bullwinkle Show (1959-64), offers a lighthearted satire on this image, but his surname is fully in accord with it. That this idea was largely promulgated by Hollywood, and not by any Canadian organization, is even more remarkable. Canadians like to believe that Americans are only interested in themselves, and constantly rewrite history to make themselves the heroes of it. In this instance, though, they voluntarily burnished the image of the state police force of a foreign country, somewhat uncharacteristically.

This whole topic came to mind again recently, when I found our copy of Looking North: Royal Canadian Mounted Police Illustrations – The Potlatch Collection (2003) by Karal Ann Marling, an art history professor at the University of Minnesota. The Northwest Paper Company of Cloquet, Minnesota (i.e., nowhere in Canada!), sponsored an advertising campaign featuring the Mountie doing Mountie things, all in his bright red tunic to show off the superior quality of their product. The Mountie’s alleged qualities of integrity and courage also polished the company’s image.

The campaign, the brainchild of Chicago ad man Frank Cash, started in 1931, at a time when advertising agencies employed highly talented artists who could produce beautiful and realistic paintings on demand, and when the weekly newsmagazine (e.g. Life or The Saturday Evening Post) served as a far-reaching vehicle for them. Arnold Friburg, Hal Foster, and Paul Proehl were responsible for the three reproduced here.

As a born Canadian, I am proud that the Mounties enjoy such an upright reputation. Unfortunately, they haven’t always lived up to it, or so I discover from Wikipedia’s “List of controversies involving the Royal Canadian Mounted Police.” Some choice ones:

• On the night of May 6, 1972, the RCMP Security Service burned down a barn owned by Paul Rose‘s and Jacques Rose‘s mother in Sainte-Anne-de-la-Rochelle, Quebec. They suspected that separatists were planning to meet with members of the Black Panthers from the United States. The arson came after they failed to convince a judge to allow them to wiretap the alleged meeting place.

• There have been many Inuit accounts related to the alleged killings of sled dogs during the 1950s, 1960s and 1970s, as well as the impact of the federal government’s efforts during that time to relocate Inuit into modern settlements.

• The RCMP bombed an oilsite in Alberta October 14, 1999, on the instructions of the Alberta Energy Co. No injuries were caused or intended. The Crown lawyers, representing the government, accepted that the allegations were true. An Alberta farmer was blamed for the bombing.

• The Robert Dziekański Taser incident occurred when a Polish immigrant who arrived at the Vancouver International Airport on October 14, 2007, and waited 10 hours at the airport before being taken into police custody. He died after being tasered a total of five times by a group of four RCMP officers and then placed face down with several officers sitting on top of him.

• In October 2016, RCMP commissioner Bob Paulson apologized for what he referred to as “shameful conduct” by the organization. An internal investigation determined that up to 20,000 female officers and civilian employees since 1974 may have been the victims of harassment, discrimination, and/or sexual abuse.

On a more general level, “American historian Andrew Graybill has argued that the Mounted Police closely resemble the Texas Rangers in many ways. He argues that each protected the established order by confining and removing Indians, by tightly controlling the mixed blood peoples (the African Americans in Texas and the Métis in Canada), assisted the large-scale ranchers against the small-scale ranchers and farmers who fenced the land, and broke the power of labour unions that tried to organize the workers of industrial corporations.”

So, as ever, one must take care to examine both sides of an issue…

Addendum: A group of musically-inclined policemen from Windsor, Ontario calling themselves The Brothers-in-Law recorded a satirical song on the RCMP for their album Oh! Oh! Canada in 1965.

Addendum: How could I have forgotten RCMP Constable Benton Fraser, the main character of the television series Due South (1994-99)? This was a Canadian show, although set in Chicago. True to form, “Fraser is a strait-laced Canadian, and his faith in the honour and goodness of others tends to lead to interesting and humorous moments.”

Jon McNaughton

I first became aware of the artist Jon McNaughton in 2011, when on a summer road trip we ate lunch in a Christian-patriotic themed diner in Towanda, Pennsylvania. On the wall was a reproduction of McNaughton’s painting One Nation Under God. Please click the link to view the image as I do not want to violate copyright by reprinting it here. At the center of the action is a figure of Jesus… holding a copy of the Constitution of the United States! Behind him, our ancestors look down on us in judgment. To Jesus’ right, and facing him, are good, honest citizens – and to Jesus’ left, facing away from him, are such folks as a lawyer counting a pile of bills, a “liberal news reporter,” and a college professor clutching a copy of The Origin of Species to his breast, all under the inspiration of Satan. More details, and explanations, may be found at the One Nation Under God interactive page.

As I wrote at the time: all that is missing is a crying Statue of Liberty from The Onion.

I see that McNaughton’s work The Forgotten Man (2010) has earned itself a Wikipedia entry. I guess I can reprint this one:

As you can see, McNaughton is not just patriotic, but partisan. All presidents prior to Barack Obama are gathered on a lawn in front of the White House. The cooler ones are beseeching Obama to remember the “forgotten man,” who sits slumped over on a park bench in despair. The less cool ones (in particular, those who added substantially to the national debt) are applauding Obama – who himself is trampling the Constitution underfoot! (And see One Nation Under Socialism, in which he’s actually burning it.) Apparently this painting was inspired by the passage of the Affordable Care Act – unconstitutionally and at great expense, according to our artist – although you’d think the young man might be happy for some health care, at least.

The Forgotten Man also has an interactive page. It was roundly mocked by Rachel Maddow and Stephen Colbert around the time it was created, the reason for its appearance on Wikipedia.

As you can probably imagine, McNaughton is a big fan of Donald Trump, and his latest painting depicts Trump, his wife, daughter, and various cabinet officials, dressed in hunting camouflage, riding a boat through a swamp, and repelling alligators, all arranged like the figures in Leutze’s Washington Crossing the Delaware. This one was noticed by the Never Trump Weekly Standard, which called it “angry kitsch” and “pure id art.” I think it’s an interesting image but Trump does not seem to be draining the swamp, as he promised. And how much longer before this painting is out of date, rendered obsolete by a resignation or firing? (This is the trouble with all topical art, especially art that is essentially a political cartoon.)

It would be easy enough to condemn the lack of subtlety and sophistication of McNaughton’s oeuvre, and to take issue with his political bias, but I celebrate the originality of his vision and courage in sticking to it, even if I disagree – somewhat like the art of Jack T. Chick (third item). I do find his efforts at conflating church and state to be most interesting (not just Jesus and the Constitution, but Moses and the Supreme Court, and congressmen jeering Jesus out of the House of Representatives – even though the motto “In God We Trust” is clearly engraved on the entablature). Are Mormons especially susceptible to the idea that America is a new Israel, with a sacred covenant with God?

Hymns

From Ponder Anew, a blog on Patheos (via my friend Bill Campbell):

No, the melodies of our beloved hymns weren’t borrowed from drinking songs, bar tunes, and tavern music. I’ve had about ten comments on my blog posts this week alone trying to use the bar song myth as their smoking gun in the case for commercial worship. It’s an argument many love to make, but it didn’t happen.

Those most often implicated in this myth are Martin Luther and the Wesleys. Luther did use German Bar form, a musical style in an AAB pattern having nothing to do with the suds. There is no indication John John and Charlie ever suggested such a thing, and knowing their position on imbibing and the importance placed on proper text/tune pairing, it’s unlikely the would have even considered the idea. Tunes were occasionally borrowed from existing folk songs, but they weren’t simply extracted from whatever people were singing at the local watering hole and paired with jesusy poetry. And even if they were, it was not, as commercial worship apologists are wont to say, in an effort to borrow from culture for the purpose of evangelism or getting butts on the stools…er…in the pews.

This rumor has been thoroughly debunked by both scholars and laypeople. So why do people still believe it? I’m not entirely sure, but it seems like the “Grassy Knoll” theory of Christian hymnody. There’s no evidence for it, but dang it, it’s just more interesting than the truth.

Irresponsible? Yes, absolutely.

Difficult to suppress? You bet.

Some Twitter exchanges promoting the idea follow.

Paul is Dead!

Like the Satanic Panic noted below, another rumor I recall learning about in the 1980s (although its origins were earlier, of couse), was the notion that Paul McCartney, bassist and lead singer for the rock band The Beatles, had died and was replaced by a lookalike named Billy Shears from Ontario, Canada, who had been given additional plastic surgery and voice training so that he was indistinguisable from the original Paul. You could search for clues explaining this situation in the Beatles’ song lyrics and on the covers of their albums. A newly-made friend in junior high school expanded my universe by explaining some of them to me; I was no longer in grade school, for sure.

In honor of the fiftieth anniversary of the release of the Beatles’ seminal album Sgt. Pepper’s Lonely Hearts’ Club Band, here is an image of the gatefold picture, featuring all four Beatles in their Sgt. Pepper’s uniforms – and one of the clues:

Wikipedia.

The patch on Paul’s left shoulder, I’ve read in several places, reads “O.P.D.” – allegedly a Canadian abbreviation for “Officially Pronounced Dead.” But it in fact reads “O.P.P.” and is the shoulder flash of the Ontario Provincial Police.

Wikipedia.

The patch, according to Wikipedia, had been “given to John Lennon the day after their 1966 concert in Toronto by a summer student working in the garage of the OPP Headquarters (The group was being transferred to a police van for the trip to the airport).”

But the Ontario origins of the patch doubtlessly contributed to the notion that Paul’s replacement was from that particuar Canadian province.