After our Irish trip, I spent some time in London with my family. I had visited London many times before, and even lived there on a couple of occasions. But for all the time I’ve spent in that great city, I had never visited the Temple Church until now. It is in the (square-mile, capital-C) City of London, between Fleet Street and the River Thames. It dates from the late twelfth century and it was once the London church of the Knights Templar until that order was dissolved by Pope Clement V in 1312.
Outside the church, a monument to its original owners: a sculpture of two knights riding a single horse, taken from the Templar seal.
What really marks this church as Templar, however, is its shape. The order derived its name from the Temple of Solomon, the site of which has been occupied since the seventh century by the Dome of the Rock, and in reference to this “Temple,” most Templar churches were round.
I do not know how the round church functioned liturgically, however, and as can be seen from this scanned postcard, a longer, rectangular chancel was added to the original building some time later (note the difference in arches – romanesque to the left, gothic to the right).
The round part does hold the grave of a famous occupant: William Marshal, a powerful political figure of the late twelfth and early thirteenth centuries, who acted as regent for England for the first three years (1216-19) of the reign of the young King Henry III. Throughout his career he admired and supported the Templars and took membership vows on his deathbed, thus his burial here and not (say) in Westminster Abbey.
Here is an interior view of the chancel looking toward the east (which had to be reconstructed after serious damage sustained during the Blitz).
A close-up of the altar, with its decidedly post-medieval reredos, featuring classical detailing and the Protestant emblems of the Creed, the Ten Commandments, and the Lord’s Prayer.
The altar frontal features two coats of arms, one comprising a cross of St. George with a golden Agnus Dei at the fess point, and the other a white pegasus on a blue field. These are the arms of the Middle Temple and the Inner Temple respectively, which are two of the four Inns of Court, professional associations for barristers in England (the other two are Lincoln’s Inn and Gray’s Inn).
Following the dissolution of the Templars in 1312, King Edward II granted the site to the other major crusading order, the Knights of the Hospital of St. John of Jerusalem, i.e. the “Hospitallers.” They in turn leased it to two colleges of lawyers, which evolved into the Inner Temple and Middle Temple, named after the grounds they occupied (did the Hospitallers themselves occupy the “Outer Temple”?). King Henry VIII, in turn, dissolved the English chapter of the Hospitallers in 1540, and in 1608 King James I granted the church to the lawyers on a permanent basis, on the condition that they maintain it. This they have done ever since.
This is a device used by the church, showing both the Agnus Dei and the Pegasus, separated by a musical staff (in medieval notation), in honor of the musical tradition at the Temple Church.
Of course, following the appearance of the Temple Church in Dan Brown’s Da Vinci Code, it has become rather popular with a certain type of tourist, and the church sells a pamphlet addressing the issues raised by the book. But I was far more interested in their display about Magna Carta.