Book Five is the pivot in the whole work, for it is now that we learn of the revolt of the Ionian Greeks against the Persians, the event that prompted the Persian invasion of the Greek mainland and thus the battles of Marathon, Thermopylae, Salamis, and Plataea, the subjects of each of the remaining four books. The revolt begins with a famous episode of steganography in 35: Histiaeus of Miletus, kept under watch in the Persian capital of Susa, sends a message to his son-in-law Aristagoras, whom the Persians have installed in his place at Miletus in Ionia. Since the roads are all guarded, Histiaeus shaves the head of one of his slaves, tattoos a message on it, waits for the hair to grow back, and sends the slave to deliver a message orally, which is simply to shave his head. The message: Raise a revolt! (Aristagoras has recently failed to take the island of Naxos for the Persians and so, fearing for his position, he is rather receptive to the message.)
Aristagoras does raise a revolt, declares an isonomic constitution, and then goes to the Greek mainland to seek help. At this point the narrative launches into a long disquisition on the history of Sparta, Athens, Corinth, and other Greek poleis. Aristagoras is rebuffed in Sparta (Spartans don’t get involved in that sort of foreign adventure) but the Athenians already dislike the Persians since they had suggested that the Athenians take the tyrant Hippias back (96), and respond to his message with an offer of twenty ships, which “were the beginning of evils for both Greeks and barbarians” (97). Even though the Athenians eventually abandon the Ionian revolt, their role in the burning of Sardis so enrages Emperor Darius that he calls for a bow and arrow, shoots the arrow into the sky, and prays to Zeus that he would have a chance to punish the Athenians. Darius also enjoins a servant always to remind him of Athens (103-105). The die is cast.
On the Greek mainland, even now we see some of the tension between Sparta and Athens that is later to break out in the Peloponnesian War. Sparta feels that Athens duped it into removing the Pisistratids (the tyrants of Athens), and the Oracle claims that if Athens is an oligarchy, Sparta would control it, but if Athens is a democracy, it would control Sparta (91). So Sparta becomes interested in Athenian politics. But it is in Book 5 that we see the installation of the democracy that Athens is so famous for. Herodotus seems to approve: in 66 he writes that “Athens had already been a large city, and now that it had rid of its princes it became bigger yet,” and in 78 he writes that:
Athens increased in greatness. It is not only in respect of one thing but of everything that equality and free speech are clearly a good; take the case of Athens, which under the rule of princes proved no better in war than any of her neighbors but, once ride of those princes, was far the first of all. What this makes clear is that when held in subjection they would not do their best, for they were working for a taskmaster, but, when freed, they sought to win, because each was trying to achieve for his very self.
That “princes” can be evil is emphasized in 92, which deals with Periander of Corinth, who is clearly suffering from some form of madness like Cambyses in Book 3. Periander kills his wife Melissa, has sex with her corpse, and buries her naked. The Oracle of the Dead informs Periander that on account of her lack of clothing Melissa feels cold, so Periander has all the women of Corinth appear at the temple of Hera in their finest clothing, then orders them to strip down, dedicates the pile of clothing to Melissa, and burns it. Only then does the Oracle fulfill Periander’s original request and tell him the location of some buried treasure.
Who would want a ruler like that? But Herodotus can’t resist noting, in 97, that:
It seems that it is easier to fool many men than one; Cleomenes the Lacedaemonian was only one, but Aristagoras could not fool him, though he managed to do so to thirty thousand Athenians. The Athenians were convinced and voted to send twenty ships to help the Ionians.
The “madness of crowds” was always the trouble with Athenian democracy…
If Athenian democracy functioned at all, however, the reforms of Cleisthenes had something to do with it. Cleisthenes, who took over upon the expulsion of the Pisistratids, reorganized the Athenian tribes, increasing the number from four to ten, and making sure that the entire Athenian population was evenly divided among the tribes (66, 69). This past summer, Greg Nagy pointed out that Martin Luther King did much the same thing when he was pastor of the Dexter Avenue Baptist Church in Montgomery, Ala. For the sake of social leveling, King organized parishioners by birthday month – and each month was in charge of raising a certain amount of money for church operations. In this way was King hoping to prevent the church from becoming the plaything of a few wealthy families.
Some other details from Book 5:
• Apparently the Oracle can be bribed! In 63, an Athenian faction convinced the Oracle to command Sparta to help them overthrow the Pisistratids, which indeed came to pass. I wonder how often such bribery took place?
• Perhaps this is why disputes were submitted to arbitration? Twice in Book 5, third parties are called in to rule on diplomatic disputes: in 28-29, the Parians help solve problems in Naxos and Miletus, and in 95, Periander of Corinth served as an arbiter between Athens and Mytilene. Why were these disputes not submitted to the Oracle? How was an arbiter selected anyway?
• Herodotus confirms that the Greeks derived their alphabet from the Phoenicians (58).
• Periander’s antics in 92 are not the only example of the regulation of women’s clothing. In 87-88, Herodotus relates a story about how a group of Athenian women, angry that their husbands had been killed in a military expedition, enviously murdered the sole survivor with their brooch-pins. To punish them for this grave misdeed, the Athenians compelled their women to abandon their Dorian dress for Ionian, which had no pins. Thus were they downgraded in fashion, and compelled to suffer a loss of identity.
• As with Oedipus and with Cyrus, so with Cypselus, who grew up to rule Corinth and who fathered Periander. Ill omens were told of the baby and a team was sent to kill him, but they just couldn’t bring themselves to do such a wicked deed, so they just made the claim that they had.
• This is probably nothing, but the tattooed slave’s head is not the only tattoo in Book 5. In 6, we learn that being tattooed in Thrace is a mark of high birth. In a similar vein, the swarm of bees that made its home in the severed head of Onesilius (114) were foreshadowed by the great numbers of bees that the Thracians claim live north of the River Ister.
• An interesting vignette from 95, about Alcaeus of Mytilene (b. 620), one of the canonical nine lyric poets of the Archaic Age:
All sorts of events took place during this war, and among them the case of the poet Alcaeus. During an encounter that the Athenians were winning, he took to his heels and escaped; but the Athenians got his arms and hung them up in the temple of Athena in Sigeum. Alcaeus made a poem about this, which he sent to Mytilene, which he sent to his his friend Melanippus.
It seems that Alcaeus was taking after another lyric poet, Archilochus of Paros (680-645) (who was not one of the nine). From Richmond Lattimore’s Greek Lyrics:
Some barbarian is waving my shield, since I was obliged to leave that perfectly good piece of equipment behind under a bush. But I got away, so what does it matter? Let the shield go; I can buy another equally good.
Poets, eh? Just abandoning their arms and running away?! (We’re a long way from the Iliad, for sure.)
• I am invested in the notion that the Christian cult of saints did not grow out of the pagan cult of heroes but I can’t help but notice certain similarities between the two phenomena. For instance, in 67, Cleisthenes (ruler of Sicyon and grandfather of his Athenian namesake) made war on Argos, and so attempted to expel from Sicyon the shrine of the Argive hero Adrastus. The Oracle would not let him, so he imported from Thebes a shrine to Melanippus, who had been Adrastus’s enemy. Cleisthenes then transferred all honors given to Adrastus to Melanippus. In 114, the Oracle orders the Amathusians to bury the head of Onesilius the hero in a shrine and perform annual sacrifices to it, so that all would be right with them. Images of heroes are important as well: in 75, the Spartans institute a new rule that their two kings cannot go on campaign at the same time, and one of the two images of Castor and Pollux has to stay back in Sparta. In 80, the Thebans ask the Aeginetans for help, and the Aeginetans send the Aeacidae (i.e. the images of the sons of Aeacus and of Aeacus himself, according to the editor). One can’t help but think about Greek icons here.
• In Book 5, statues of gods or personified qualities perform miracles as well. In 72, Cleomenes of Sparta enters the shrine of Athena at Athens; the goddess actually stands up and tells him to go back to Sparta. Then there is (from 82) the interesting story about how Athens and Aegina came to be enemies. The Epidaurians are having trouble growing crops, and the Oracle recommends that they fashion images of “earth” and “increase” out of olive wood. The Epidaurians ask the Athenians for some wood, and the Athenians agree, in return for yearly offerings to Athena Polias and Erechtheus. Aegina, subject to Epidaurus, revolts, and steals the images of “earth” and “increase.” They set them up in Aegina, and perform sacrifices and choruses to them. So Epidaurus stops sending payment to Athens. The Athenians are annoyed, but Epidaurus tells them to contact Aegina. They do so, but Aegina disavows any obligation. The Athenians send a trireme with men to get the images back – but for some reason the men are unable to move them! So they tie ropes around the images, and as they pull there is a thunderstorm and an earthquake. The men pulling go mad and start killing each other.
One could imagine a medieval hagiographer telling a similar story about a saint’s statue…