Saint George and al-Khidr

The formal reason for my trip to the Middle East was that I wanted to investigate the convergence of the veneration of St. George, the fourth-century Christian soldier and martyr, and that of al-Khidr, the revered Muslim wali. That these two figures have, at certain times and places, been identified with each other, despite the traditional animosity between Christianity and Islam, is remarkable. What is really going on? What are the terms of this convergence – does it even exist?

St. George is everywhere in the Middle East. If there are Christian remains, you will find an image of St. George in them. If there is an active Christian community, there is a very good chance that one of its churches will be dedicated to St. George; whatever its dedication, there will certainly be many images of the saint, inside and outside the church building. He is not the only equestrian saint, nor the only military saint, nor even the only dragon slayer, and he was certainly not the only Christian to have been martyred under Diocletian. But somehow people love him the most. I think that one reason is because his dragon slaying is not just visually symbolic, but the illustration of a romantic story about how he rescued a damsel in distress. This sort of thing is always popular. Perhaps more importantly, he is considered a powerful intercessor and miracle worker, something always very important and useful.

Khidr is a somewhat more obscure figure. Although not mentioned by name in the Koran, he is widely identified as the righteous servant of God in Sura 18, “The Cave,” and is charged with instructing Moses. Moses promises to learn humbly and not to question Khidr, but Khidr acts most inexplicably, and Moses cannot help himself. First Khidr bores a hole in the bottom of a boat belonging to some fishermen, then he kills a young boy, and finally he fixes a wall in a town, right after its inhabitants had refused to offer hospitality to him and Moses. With each of these incidents, Moses breaks his promise and expresses disappointed surprise, but Khidr then reveals his reasons: he damaged the boat just enough to prevent it being commandeered by a king, the boy was evil and Khidr killed him so that Allah might give his believing parents a better son, and he repaired the wall because beneath it was buried treasure belonging to two orphans, whose deceased father had been righteous and who would be in no position to defend it should its presence be revealed. The message is that God’s wisdom is beyond human understanding.

Unlike with St. George, I never found anything devoted to Khidr: no pictures, no dedications. People did know who he was. “Khidr,” in Turkish, is rendered as “Hızır,” and I spoke with one man, a Muslim from the area around Sivas, who said that he knew an old man in his village who had met Hızır twice, and who was admired for it. The old man knew it was Hızır because of Hızır’s “bent thumb.” Other people mentioned that Hızır can help people, but it’s more a case of explaining the good luck you might receive. If you’re in trouble, and someone helps you out, you might attribute this to Hızır. (I was reminded of how Grateful Dead fans used to receive “miracles” – concert tickets that they had not made provision for acquiring.)

Since there are very few Christians left in Turkey, there is no longer any question of convergence between St. George and Hızır. The Egyptian scene is somewhat different. Some ten percent of Egyptians are Christian, and the country does not have the same tradition of compulsory secularism that Turkey does – since 1980, Sunni Islam has been the state religion. Furthermore, Egyptian Muslims, perhaps because their own language descends from that of the Koran, seem to know the Koran better than Turks do. When I asked people about Khidr, most of them were able to relate the story from Sura 18, about Khidr’s three successive and seemingly inexplicable actions. When I asked whether Khidr helps people, and whether people offer some sort of thanks to him in return, they were surprised, almost offended. “That’s polytheism!”, one man exclaimed. “We only seek help from God.” Khidr is revered as other prophets are revered, but no one I spoke with admitted to seeking or receiving aid from any of them. “Khidr may have helped people long ago, but not now,” another man explained to me. Thus, despite a list of places allegedly sacred to Khidr that I had compiled from various sources, I could not find a single one that was currently and obviously designated as such. There were no inscriptions, or any people doing things to honor him. I confess I was somewhat disappointed.

But speaking with Christians I heard a different story. In Egypt, in Old Cairo, one finds two churches to St. George – in both places, the Christians claimed that local Muslims did indeed seek help from St. George, whom they called “Khidr.” A priest of the Greek Orthodox Monastery of St. George in Old Cairo said that Muslim women who want to become pregnant will visit the church, and that one can see little plaques in the church in Arabic left by Muslims in thanks for Khidr’s services (although I did not find these and the priest did not have time to show them to me). A sister of the nearby Coptic Convent of St. George said that Muslims will indeed come by – not all the Muslims in Cairo, by any means, but some of the locals from the area will pay the occasional visit to what is designated the convent’s “Chaplet of St. George.” I suppose it helps that certain actions are prescribed here: you can light a candle in front of an icon of St. George, you can touch a cloth roll containing his relics, or, most significant of all, you can be wrapped with the chains that bound him during his martyrdom. I had read about this custom, which dates back at least to the nineteenth century. Allegedly it cures madness or at least headaches, and I could not resist getting wrapped with them myself. In other words, these rituals make it easy for visitors, including any Muslims, to participate in the veneration of St. George.

A similar situation prevails in the Palestinian Territories, where most of the Arabs are Sunni Muslim, but a minority of 1-2% is Christian. The town of Beit Jala, to the south of Jerusalem near Bethlehem, is predominantly Christian, and to the southwest of Beit Jala, in the otherwise Muslim town of al-Khader, is a Greek Orthodox monastery of St. George, complete with a small but handsome church dedicated to the saint. This church is famous in its way: William Dalrymple describes it in From the Holy Mountain (1994), and it once merited a subsection on the entry for St. George on Wikipedia (entitled “Interfaith Shrine,” although the current subsection on “Islamic tradition” does not mention it specifically). These writings, and others, mention that Muslims come there to pray and offer thanks to St. George, whom they call Khidr. (This would seem to be reflected in the name of the village itself.) I did not get to speak with any of the brothers of the monastery, but I was shown the church by a man in charge of it. He could not speak English very well, although he answered my questions as best he could, and said that yes, Muslims do indeed come by. This church also featured a set of chains (he claimed these ones were the reins of St. George’s horse) in which he had me step through three times and enjoined me to kiss. Of course there were many icons of St. George throughout the church; the most important was a large one displayed behind glass. A three-inch gap existed between the icon and the glass, into which people had deposited petitions and offerings in thanks for prayers answered. Clearly St. George was popular in the area – although I did not see any direct evidence that Muslims venerated him.

The next day, in Beit Jala proper, I had a revealing conversation with a local Christian in the Greek Orthodox Church of St. Nicholas. The current church building dates from 1925, but the site is historic, since it contains a cave that once housed its namesake saint for four years before God called him back to Myra. In 1995, the church was proud to acquire one of the relics of St. Nicholas. Like St. George, St. Nicholas provides miracles: once an old man was commissioned to repair his icon frame, and his light stayed on even though the power had gone out in the city – and even though the light hadn’t been plugged in! “So do Muslims ever ask for miracles?” I asked. “Yes they do,” he replied, “but discreetly – for example, they might ask a Christian to light a candle for their sick son. And yes, in al-Khader, the locals protect the monastery, because they get miracles from St. George there – in fact, they see him riding around on his horse, and fear him.” “Protect?” I asked. “Yes, unfortunately,” he said, “without such local support, Muslim radicals would have destroyed the church long ago.” “But,” I said, “I read somewhere that Israeli oppression brings Palestinians together regardless of religion. Does this not happen here?” “It should,” he replied. “But unfortunately when people get radicalized they don’t think in terms of Israelis, but Jews, and Christians. When people get into the Bible, they withdraw from the world, but when they get into the Koran, they get more materialistic, and lust for power and control.” Obviously a certain sectarian bias might be at work here, but it would seem that, like in Egypt, participating in Christian ritual is something that many Muslims frown upon.

My final church of St. George contained his sarcophagus and is found in the Israeli town of Lod (a.k.a. Lydda), near Tel Aviv. This site has existed since antiquity, and it plays a role in the narrative of both the First and Third Crusades (in 1099 the crusaders returned some relics of St. George to Lydda that they had acquired in Antioch, and instituted a Latin bishopric there; in 1192 Richard the Lionhearted spent six weeks encamped outside the town and may have rebuilt its church, which had recently been destroyed by Saladin). The current building dates from the nineteenth century, and consists of a main nave with a slightly narrower nave to the left. Throughout the church are various “stations” of St. George, including: a chain to wrap oneself in; a freestanding silver icon in an intricately carved wooden frame; a large icon on the iconostasis (that is, the screen separating the nave from the sanctuary, what in medieval England might have been called the rood screen); the actual tomb of St. George in the crypt; and, in front of the main iconostasis, a stand featuring an icon, some relics of St. George, and a wooden “chalice” holding a glass jar full of oil and a floating tea light (see the photos below). An interesting ritual took place at this stand while I was there: a group of Romanian pilgrims was visiting the church and, one by one, they approached the stand. There, a priest dipped a sort of stylus into the oil, and with it anointed the pilgrims on the forehead, cheeks, chin, and hands. Thus was the power of St. George bestowed on his votaries.

As in Beit Jala, I did manage to speak with a local Christian at this church, who claimed that Muslims have great respect for St. George and that they see him riding his horse around the neighborhood (Lod’s population is about 25% Arab, most of whom are Muslim). But the only evidence I saw here of any Muslim “participation” in the cult of St. George was a Muslim woman who entered the church, took off her shoes as though she were in a mosque, walked into the nave, looked briefly at the iconostasis, and then returned to the door, put her shoes back on, and departed. Given the multiple opportunities to honor the saint in his church in Lod, I can’t say that this seemed particularly meaningful.

So what is going on, really? And whom should one believe? One can understand why Muslims, when asked, would categorically deny that any of them would stoop so low as to participate in Christian religious practice. But one can also understand why Christians would claim that Muslims would participate. What a feather in your cap, if your religion is attractive to others! I don’t think that the Christians were lying necessarily – exaggerating, maybe, but if only a handful of Muslims venerated St. George, their statements about Muslim worship would be true. One possible explanation, according to my Coptic Christian guide at Luxor, is that you can divide people in to three categories: The first are the poorest and least educated, who will do anything they think can help them, without thinking about it too much. The second are in the middle class and educated enough to take their Islam seriously. And the third are the elites, in education and socio-economic status, who don’t take anything religious too seriously. So by this schema, people who pay homage to St. George are uneducated, marginalized, and desperate for miracles, while most other people, i.e. the ones I spoke with, are well versed enough in Islam not to go in for such alternative medicine. This sounds about right.

But are Muslims even venerating St. George? They call him Khidr, after all, a figure from their own tradition. However, they seem to be doing so only in Christian churches. (This convergence was also denied by some of my interlocutors. “Khidr and St. George are far apart,” one man told me. “Khidr is a phantom who goes around as Allah wills it, but he’s not the same as St. George,” said another.) One explanation for this convergence, at least on the West Bank, is that Christians and Muslims have been forced together by Israeli oppression, and that St. George has become a sort of resistance figure for the Palestinians. This may be true for some, although as noted above resistance to Israel is also inspired by radical Islam, which has little time for such syncretism – and it doesn’t explain the convergence between Khidr and St. George that finds in Egypt. Instead, a better explanation was suggested by an Anglican priest I spoke with: we may drive intermediaries out with a pitchfork, but they keep coming back, and if your religion absolutely denies their existence, then you’re forced to use someone else’s. In its way, this operation allows you to keep your monotheism but have your intermediaries too. I would say that such a dynamic also applies to tactile rituals like lighting candles, handling chains, or receiving holy oil: these sorts of actions help satisfy a deep-seated human need, and if they’ve been declared out of bounds in your own religion, you might, if you were so inclined, seek them elsewhere. (This would be especially true in places where Christianity is the religion of a distinct and socially powerless minority, meaning that it is not really a threat.)

If nothing else, it certainly provides contemporary evidence that St. George remains a powerful miracle worker, as he has always been.

********

Rather than trying to integrate images into the text, I have placed them in an appendix. (There are 68 images in total).

1. From St. George’s Greek Orthodox Church, Old Cairo.

A sculpture that greets you as you climb the stairs to enter the church, indicating its patron saint.

Inventive typography in a “Hagios Georgios” roundel.

A shrine in the church, containing an icon of St. George.

A close-up of the icon, entirely silver except for St. George’s face.

In the same church: another icon, made entirely of silver, with offerings.

2. St. George’s Coptic Orthodox Convent, Old Cairo.

The courtyard of the convent, with the exterior entrance to the Chaplet of St. George on the left.

A closer view of the exterior entrance of the Chaplet of St. George.

A scanned postcard, showing the interior entrance to the Chaplet of St. George and its seven-meter-high wooden doors.

In the Chaplet, a Coptic icon of St. George, with velvet roll containing relics. Normally this roll is contained in the glass case beneath the icon, although it can be taken out and handled for devotional purposes, as it is here.

A painting of St. George hanging above his chains. A nearby sign reads: “The Persian King Dadynos gathered seventy rulers to put the great martyr St. George on trial. They used all sorts of torturing instruments including a chain to which he was chained. This chain is a cause of blessing because it was put on the body of the martyr and on it his blood ran. We believe that the things that touch the bodies of saints become a blessing as the bible said about Paul, “So that handkerchiefs or aprons were carried a way from his body to the sick and diseases left them and the evil spirits came out of them,” Acts 19:12. This chain is now found in the central compartments of the shrine through it and by faith a lot of miracles have been taking place. It also wrestles with evil spirits also unclean spirits come out of many who are possessed.”

Elsewhere in the chaplet, a mosaic of St. George.

Another mosaic of St. George, this one with a crown of martyrdom being presented by two angels.

3. Various other Coptic icons of St. George. Note how many feature the pitcher-bearing youth riding with him, and Arabic script, indicating the everyday language of the Copts.

Icon of St. George, St. Shenouda’s Church, Old Cairo.

Icon of St. George, St. Shenouda’s Church, Old Cairo. I confess that I am unclear on who the stripped, bound figure near the dragon is supposed to represent.

Icon of St. George, El Damshiria Church, Old Cairo. I like the appearance of the banner in this one.

Icon of St. George, El Damshiria Church, Old Cairo.

Icon of St. George, Abu Serga Church, Old Cairo. I like the brutalist castle.

Postcard: “Icon of St. George, Al Muallaqah [Hanging Church], Old Cairo.”

Postcard: “The ancient icon of the great martyr St. George inside the internal chamber of the antique shrine, 17th century.”

Postcard: “1. A Coptic icon of the great martyr St. George measuring 61cm x 94cm painted on wood – 19th century A.D. 2. A chain to which St. George was tied during his tortures.”

4. From St. George’s Greek Orthodox Church, Al-Khader, Palestinian Territories.

Map showing location of St. George’s church and monastery, al-Khader, in relation to Beit Jala, Bethlehem, and Jerusalem. Google Maps.

The main entrance to the monastery.

A view of the exterior of the church from the courtyard, and a minaret from the mosque across the street.

The monastery courtyard.

The church as one enters it.

A view of the church’s decoration.

The main icon, George killing the dragon, surrounded by scenes from his martyrdom. Note the lamps in front, and the prayers and offerings behind the glass.

A close-up of the bottom left of the icon above: pictures of people being prayed for.

A close-up of the bottom middle of the icon above: valuables left for St. George in gratitude for prayers answered.

A bank of St. George icons.

A Slavic icon of St. George, given in “By Yuri Father and Yuri Junior and Family in 2014.”

A twinned portrait of Saints George and Demetrius. I’m not exactly sure whom Demetrius is supposed to be killing.

Saint George the soldier-saint, with armor, lance, shield – and bow and quiverful of arrows, something I have never seen him depicted with before.

Saints Eudocimus, Sergius, Keladion, and George.

An inventive depiction of the various tortures, and martyrdom, of St. George.

Elsewhere, one final depiction of St. George and the dragon.

5. Veneration of St. George in Beit Jala and al-Khader.

An arch in al-Khader, with St. George and Palestinian flag.

Close-up of the carving on the arch.

Interior of St. Nicholas’s Greek Orthodox Church, Beit Jala, Palestinian Territories.

Icon of St. George in St. Nicholas’s Church, Beit Jala.

Icon of St. George in St. Nicholas’s Church, Beit Jala.

Statue of St. George and the dragon welcoming visitors to Beit Jala.

Roundel of St. George on a house in Beit Jala.

Plaque of St. George on a house in Beit Jala.

Icon of St. George in a workshop in Beit Jala.

Icons of St. George in a workshop in Beit Jala.

6. From St. George’s Greek Orthodox Church, Lod (Lydda), Israel.

Postcard of a watercolor painting showing the church of St. George. The monastery (obscured) is across the street. The El-Umari mosque is in the foreground on the right.

A photograph of the other side of the street, showing the monastery. Note the flags of Greece and of the Greek Orthodox Patriarchate of Jerusalem (a red cross of St. George with the tau-phi device on it).

The door to the church.

Immediately to the right of the door as one enters, a bank of candles that pilgrims can light.

Behind the pilgrim in the photo, a stand containing an icon of St. George with his parents…

…and “The Holy and Miracle Working Chain of St. George,” which you can pull out and wrap yourself in.

A pilgrim tries on the chain.

Near the chain stand (you can see it on the left in this photo), a carved wooden stand for a silver icon of St. George, with suspended lamp.

A scanned postcard of the icon above.

To the right of the chain stand as you face it, the main iconostasis of the church.

A scanned postcard of the second icon from the left in the iconostasis, showing all the details of the dragon-slaying legend: Jesus is blessing St. George, while an angel crowns him, and the pitcher-bearer rides in his saddle. The princess, her parents (her father holds out the keys to the city in an act of surrendering to the saint), their castle, and other buildings of the city (bottom right) flesh out the picture. This image also shows a collection of votive offerings to St. George (these were no longer on the icon when I saw it).

Backing up from the iconostasis, and just to the right of the silver icon, we find one of the entrances to the crypt.

And in the crypt, we find the shrine of “St. George the Trophybearer.” This site has existed since antiquity although this particular shrine was sponsored by “Patriarch Cyril” – likely Cyril II of Jerusalem, reigned 1846-72. (This is not my photograph – it is a souvenir plaque given to me by Sister Theophania of St. George’s Convent, Old Cairo.)

A close-up of the mosaic in the crypt, showing St. George in his original aspect as a young, beardless soldier with armor, spear, and shield.

To return to the main nave, in front of the iconostasis, we find this stand, featuring a cabinet containing a blanket, a silver icon containing two relics on either side of a standing St. George, a color icon (reproduced below), and a chalice containing a candle and holy oil.

A scanned postcard of the icon in the stand above. The caption can be translated “Holy Monastery of Saint George in Lydda – Saint George”

A priest imposes holy oil on a pilgrim.

A picture of St. George and the dragon, framed by numerous scenes from his passion and martyrdom.

Another image of St. George and the numerous tortures he endured, scanned from a pamphlet in the church.

Four roundels painted on the ceiling, of Saints Procopius, Demetrius, Stephen, and George. The three warrior saints are dressed as soldiers.

A recently-placed mosaic of St. George, indebted to western iconography, especially with respect to the plate armor and helmet plume.

Finally, a gentle reminder of the Mandatory period.

***

My thanks to Alex Nikas for his comments.

Hittites and Egyptians

History’s first peace treaty dates to c. 1259 BC, and was ratified between the Hittite state in Anatolia and New Kingdom Egypt. I had the opportunity to see remains of both civilizations on my recent trip. They’re quite different from each other.

Ancient Egypt is very well-known. Their monuments still stand after millennia, and their style is unmistakeable. The pyramids of Giza to the west of Cairo are perhaps the most famous remains, but the New Kingdom (1500-1000 BC) was ruled from Upper Egypt, specifically Thebes, now known as Luxor. By this point Egyptians were no longer building pyramids, but they certainly had not lost their taste for monumental architecture. On the east bank of the Nile, you can visit two massive temple complexes, Luxor and Karnak. These were once connected by the so-called Avenue of the Sphinxes, a 1.5 mile road lined with recumbent sphinx sculptures, part of which is still visible.

Luxor Temple consists of pylons, obelisks, hypostyle halls, massive sculptures, and incised hieroglyphics on almost every vertical surface. Of course, one could spend one’s entire career studying the history of its construction, use, excavation, and restoration, which like that of most Egyptian monuments is ongoing. The signs suggested that Luxor Temple was used for the Opet Festival when, once a year, statues of the Theban Triad of gods were brought from the Karnak Temple to the Luxor Temple, in a celebration of rebirth and renewal.

Originally there were two obelisks, but the other one is now in the Place de la Concorde in Paris. Behind the remaining obelisk are two “pylons,” wall-like structures that mark the temple’s entrance. The vertical incisions once held flagpoles.

The Karnak Temple is within walking distance of the Luxor Temple (although not to worry, plenty of cab drivers will offer to take you in their horse-drawn carriages if you don’t want to go on foot). Between the two temples is the Luxor Museum, which is much smaller than the Egyptian Museum in Cairo, and displays fewer artifacts, but I think it’s a good example of the “less is more” principle – what they do have is of a pretty high quality, and the building is architecturally pleasing too. I was glad to see the mummy that Emory returned to Egypt in 2003.

The Karnak Temple is even more impressive. It is certainly more extensive. Here is a model of the whole thing as it may have looked at its height.

And here are some shots of its current condition.

Of course, the Karnak Temple, the main home for the gods Amun, Mut, and Khonsu, comprises an entire field of study. I enjoyed speaking with Mahmoud (referenced below) and one Ben Pennington of the University of Southampton, who was drilling core samples that would help reveal the fluvial (and settlement) history of the place going back some 7000 years.

And this is just on the East Bank! On the other side of the Nile, one finds the various mortuary temples constructed for New Kingdom pharaohs, like Hatshepsut or Ramesses III.

Then there’s the famous Valley of the Kings, where the pharaohs were actually entombed. King Tut’s tomb (designated KV62), although the most famous, was actually one of the smallest. Most of the tombs go quite a long way down into the limestone cliffs – workers would start digging it at the beginning a king’s reign, and keep on going until he died. They they had seventy days to finish everything up, which is why none of them is 100% complete. Of course, thieves stole all the grave goods long ago, but the decoration remains intact. Photography was strictly prohibited, however.

As I say, all this is very impressive. The Egyptians obviously had a wealthy nation and a strong, highly centralized state that could commandeer sufficient surpluses, and redirect them to architectural projects for which they clearly had a large class of highly skilled artisans. The desert clime of Egypt has probably helped preserve these for the ages, and you can’t help but admire their work, so many thousands of years later.

The Hittite state, by contrast, has not left remains as impressive. No one even knew there were Hittites until the late nineteenth century, when archaeologists began uncovering evidence of their Bronze-Age civilization in Anatolia. That they were named “Hittites,” after the Biblical “children of Heth,” is a matter of convenience – debate continues about whether or not the identification is valid. As more and more was uncovered, two things became apparent: the Hittites spoke an Indo-European language, representing the first appearance of that particular language family in the narrative of Western Civilization, and they were pioneers in the smelting of iron, and are thus forerunners of the Iron Age, which succeeded the collapse of their state around 1180 BC.

Hittite artifacts may be viewed in the Istanbul Archaeology Museums and in the Museum of Anatolian Civilizations in Ankara, but to view an actual archaeological site, you have to travel to Boğazkale, in Çorum Province. There you can walk around Hattusa, the capital of the Hittite empire. It takes the form of a circular wall, enclosing an area several acres in size, with numerous settlements within it. A model greets you as you enter.

But most of what you’ll see comprises nothing more than building foundations.

The Hittites eventually adopted cuneiform writing, which is how we know their language was Indo-European. Prior to that time, they employed a script known as Hittite hieroglyphics; these may be seen inscribed on this rock…

…and in this chamber.

On the exterior wall around Hattusa, we find the famous lion gate.

But on the whole, this picture conveys the sense I got when I visited: the Hittites adapted themselves to their environment, rather than trying to master it. The mountain forms a natural defense that they incorporated into their city.

By this criterion, the Egyptians were far more “civilized” than the Hittites. You wonder how there could ever have been any agreement between them based on the notion of equality.

But I couldn’t help but wonder whether living in ancient Egypt wasn’t like living in North Korea, with the only difference being that people had more to eat. Here we have an entire state set up to satisfy the whim of a single individual. (It’s true that the Luxor and Karnak Temples were ostensibly for the gods, but it was clear that each pharaoh took pleasure in adding something to them, and thereby glorifying himself.) The only art allowed was propaganda that honored the gods/the pharaoh, and in the approved style (did it not get boring after a while?!). All the building remains that I saw around Luxor were ceremonial in some way. Constructing it provided employment for people, and demonstrated the strength of the state, but does it not simply represent massive wealth destruction?* Hattusa, by contrast, was an actual city, with a wall, and functional buildings within it like houses and administrative space, in addition to temples, which were much more modest in scale. Obviously, the Egyptians would have had these too, but they were completely overshadowed by their massive temples. My guide suggested that the Egyptian penchant for construction bestowed meaning and dignity on everyone – building and decorating were meritorious in the eyes of the gods, and constituted a form of prayer. But I can’t help but think that a better way of arranging a society would be to allow greater material advantages to accrue to its populace. If nothing else it shows that you don’t need an elaborate material culture to hold your own in the fields of warfare and diplomacy.

* Cf. George Orwell, 1984:

Even when weapons of war are not actually destroyed, their manufacture is still a convenient way of expending labour power without producing anything that can be consumed. A Floating Fortress, for example, has locked up in it the labour that would build several hundred cargo-ships. Ultimately it is scrapped as obsolete, never having brought any material benefit to anybody, and with further enormous labours another Floating Fortress is built.

The Coptic Church

Coptic Cross, El Damshiria Church, Old Cairo.

Some background: the Fourth Ecumenical Council was held at Chalcedon, now a part of the Kadıköy district of Istanbul, in AD 451. It is famous for ruling that Jesus had two natures – he was both fully God and fully man – against a contrary position that held that Jesus had one nature, in which the divine and the human were inseparably united. Detractors called this position “monophysitism,” while its adherents preferred “miaphysitism.” Chalcedon led to a schism that has never been completely healed. Of the five great Christian patriarchates of the time (Constantinople, Antioch, Jerusalem, Alexandria, and Rome), Alexandria and Antioch refused to accept the judgment of the Council, and retained a belief in miaphysitism. These patriarchates are now designated the Coptic Orthodox Church and the Syriac Orthodox Church, respectively, and along with the Ethiopian, Eritrean, Armenian, and Malankaran (Indian) Orthodox Churches, comprise a group known as the “Oriental Orthodox” churches, all of which reject the view that Jesus, while on Earth, had separate natures.*

(Eastern Orthodoxy, by contrast, recognizes the Council of Chalcedon, and comprises a somewhat larger communion. Although most Christians under the rule of the Patriarch of Alexandria and the Patriarch of Antioch became members of the Coptic and Syriac Orthodox churches, there are Chalcedonian (“Greek”) Orthodox patriarchates for these cities too, and there remain Chalcedonian patriarchates for Jerusalem and Constantinople – four of the original five members of the pentarchy. These are all liturgically Greek, and together with the actual Church of Greece comprise Greek Orthodoxy. These churches are in communion with other “autocephalous” Eastern Orthodox churches, including churches for Russia, Serbia, Bulgaria, and Romania. One must also keep in mind that the Roman Catholic Church has actively missionized to the Orthodox, whether Eastern or Oriental, and so there is now Armenian Catholic Church, a Syriac Catholic Church, a Coptic Catholic Church, a Greek Catholic Church, and so on – collectively these are the Eastern Catholic Churches.**)

Door, Coptic Cairo.

Approximately ten percent of Egypt’s population is Christian, the vast majority of whom are Coptic Orthodox. (According to Wikipedia, the Coptic Orthodox in Egypt number about twelve million souls, with the Greek Orthodox in second place at 300,000, and the Coptic Catholics in third at 200,000). Probably the best place to explore Christian Cairo is around the Mar Girgis (“St. George”) metro station, where one can find numerous Christian monasteries, cemeteries, and churches. The largest and most obvious is actually Greek Orthodox, but the rest are Coptic, and quite historic. 

Pulpit and screen, Church of St. Barbara, Old Cairo.

Nave, Saint Virgin Mary’s Coptic Orthodox Church (the “Hanging Church”), Old Cairo.

Nave, St. Sergius and St. Bacchus Church (“Abu Serga”), Old Cairo.

As you can see, in Coptic churches the sanctuary is closed off from the nave by a screen, which in these three cases consists of intricately carved and inlaid woodwork. Other features include a marble pulpit on the left side of the nave, pillars (often different in style from each other, representing the different apostles, according to my guide), and a wooden ceiling representing Noah’s Ark. Abu Serga Church takes great pride in its status as place of refuge for Joseph, Mary, and the infant Jesus from the persecution of Herod the Great in Judaea. The church has numerous icons of the Flight into Egypt, and in the crypt, one finds a well from which they drank.

Actually, Abu Serga is not the only place they stayed. Tradition holds that the Holy Family did a grand tour of Egypt during their sojourn there, bestowing bragging rights on many places.

Around the walls of the nave in the average Coptic church, one tends to find banks of icons, sometimes with glass cases beneath them, containing cloth “rolls” which, I was told, hold relics. One can deposit petitions or offerings in the glass case. This set of icons can be seen in St. Shenouda’s Church, slightly to the north of the three mentioned above.

Icons, St. Shenouda Church, Old Cairo.

And these two are in the nearby Antique Church of the Holy Virgin Mary, also known as “El Damshiria.” Note all the petitions to the saint on the right.

Icons, Church of El Damshiria, Old Cairo.

Some of the more popular saints include:

Saint Menas, the fourth-century soldier, ascetic, and martyr, usually shown between the two camels that brought his body back to Egypt from Phrygia.

Saints Sergius and Bacchus, a pair of Roman soldiers executed in Syria under Emperor Galerius.

Saint Anthony the Great, founder of Egyptian monasticism, and Saint Paul of Thebes, also known as Saint Paul the First Hermit.

Saint Mercurius, a third-century soldier and martyr under Emperor Decius. The image of him riding a horse and brandishing two swords over his head (and spearing a prostate man with a lance) is very common and represents a posthumous miracle. During the reign of the pagan Emperor Julian the Apostate (361-63), Saint Basil prayed before an icon of Saint Mercurius and asked him not to let Julian return from his campaign against the Persians. The image then disappeared, only to reappear later with a bloodied spear. Soon afterwards, news arrived of the death of Julian, killed in battle by an unknown soldier.

Saint George. Note the appearance of the miniature pitcher-bearer riding with him.

Veneration continues for more recent deaths: the image of Mother Irini (1936-2006), visionary, miracle-worker, and abbess of the Abu Sefein Convent in Old Cairo, was common….

… and votaries pray at her shrine at Abu Sefein.

Sister Theophania of St. George’s convent also gave me a little book on the life of Father Yostos (1910-76), a monk at the monastery of St. Anthony and a miracle-worker.

In Old Cairo one may also visit the newly-restored Coptic Museum, which houses an extensive collection of artifacts from Coptic history. My thanks to my guide Yasir Magdi for showing me around.

Beyond Old Cairo, one can find Coptic Churches here and there throughout the city. The most important is St. Mark’s Coptic Orthodox Cathedral in the Abbassia District, which took me a while to find. It is also, as you can see, under restoration.

Although the Coptic Orthodox Church is officially the Coptic Orthodox Church of Alexandria, where St. Mark reputedly founded it, the seat of the patriarch has been in Cairo since the eleventh century, and in this church building from 1968. Since 2012, when Shenouda III died, the office has been held by Tawadros II, whose name was selected from a shortlist of three candidates by a blindfolded boy, believed to be guided by the hand of God. The Coptic patriarch uses the title “Pope,” the only other one besides the Bishop of Rome to do so.

The word “Copt” derives ultimately from the Greek word Aigyptios, meaning “Egypt,” and Copts are quite proud of their status as the descendants of the ancient Egyptians. St. Mark’s efforts in Alexandria won a great number of converts who were native Egyptians (i.e. neither Greek nor Jewish, as were most of the original Christians), and the Coptic language is a direct descendant of the Demotic Egyptian of the Roman Era. (You can see examples of its script in some of the photos above – it is essentially the Greek alphabet, with seven extra characters.) Alas, it is purely a liturgical language nowadays – most Copts speak (and worship in) the same Arabic language as their neighbors. If anything sets them apart, it is a discreet tattoo that many of them will get on their inner wrists, as a memento of their faith. I must record that all the Egyptian Muslims I spoke with insisted that the Copts were their brothers and fellow Egyptians – although the level of security around Coptic churches (a necessary precaution following some recent unfortunate incidents) would suggest that not everyone shares this opinion. 

* Voltaire: “Assuredly, I understand nothing of this; no one has ever understood any of it, and that is why we have slaughtered one another.” Actually, I think that other concerns usually hang on such abstruse questions. In the case of Chalcedon, I would not be surprised if the much older Patriarchate of Alexandria resented the growing influence of the Patriarchate of Constantinople.

** There is also the Church of the East, the result of the earlier Third Ecumenical Council at Ephesus in 431, which condemned Nestorius, who had emphasized the distinction between Jesus’ human and divine natures. Those Christians living in the Persian Empire refused to accept this condemnation, and were consequently known as Nestorian Christians. The Assyrian Church of the East continues this theological tradition

Postscript: Prior to this trip, it never occurred to me where Antioch is currently located. It is in Turkey, specifically in Hatay Province, and is known as Antakya. Hatay Province is the little bit of Turkey that sticks down along the eastern Mediterranean coast.

Google maps.

Hatay was at one point controversial – and in some ways still is. As a result of the Treaty of Sèvres (1920) the area, designated the “Sanjak of Alexandretta,” was assigned to the French Mandate of Syria. It contained a significant Turkish population, however, which inspired (and probably directed) by Atatürk, started instituting reforms similar to his, and agitating for closer ties to Turkey. Upon the expiration of the French Mandate in 1935, these Turks managed to elect two “independentist” MPs for Alexandretta, who succeeded in getting the French to endorse its independence as the State of Hatay (Atatürk’s name for the place, after the word for “Hittite”). So from September 1938 until June 1939, Hatay was an independent country, with its own flag, looking suspiciously like Turkey’s.

Wikipedia.

A referendum in Hatay approved of Anchluss with Turkey; that Turkey trucked in tens of thousands of its citizens for the vote certainly helped achieve this result. Syria protested, but to no avail – the French were hoping to prevent Turkey from going over to the Germans, as it had in the First World War, and so allowed the merger to go forward. Upon annexation by Turkey many of the Arabs and Armenians of Hatay decamped for Syria, fearful that they would not be welcome in the Turkish ethnostate; certainly the Patriarchates of Antioch, whether Syriac or Greek, are now headquartered in Damascus.

Money

One of the delights of traveling is seeing what foreign countries put on their currency (it’s even better when the exchange rate works in your favor). For no real reason, here are some shots of the leftover bills in my possession.

• It goes without saying that Kemal Atatürk should appear on the obverse of all Turkish bills (he’s on all the coins too).

Other people only appear on the back, like Aydın Sayılı, historian of science.

It’s nice how they vary the portraits of Atatürk, and how many of them have him smiling (unlike, say, those of Mussolini or Lenin).

On the reverse of the twenty lira note, a portrait of Ahmet Kemalettin, designated Mimar Kemalettin (“Kemalettin the Architect”), who was active in the late Ottoman and early Republican periods.

• Egyptian bills have two sides, which I would designate “tourist” and “local.” The tourist side features motifs from ancient Egypt, English writing, and western numerals.

The local side features Arabic writing, real Arabic numerals, and Muslim architecture, in this case the Al-Rifa’i Mosque in Cairo (which I saw; it is beautiful and actually houses the tomb of the last Shah of Iran).

The fifty pound note follows the same pattern: the tourist side has the Temple of Edfu…

…the local side has the Abu Huraiba Mosque (according to Wikipedia, anyway – I did not get to see it).

By the way, here is a clock face from the Cairo metro, showing the full range of Eastern Arabic numerals. Prior to this trip I had no idea there were such things, but they are widely used in Egypt, including on automobile license plates. Interestingly, you read them left to right, even though Arabic script itself goes right to left.

• I think Israel has the best designed bills. The most recent fifty New Shekel note features Hebrew poet Shaul Tchernichovsky.

It is nice of them to include Arabic and English on the reverse. (Actually, this trip revealed to me just how lucky we Anglophones are, that our language is the world’s lingua franca – perhaps I should say lingua anglica? An Egyptian man marries a Japanese woman, and they communicate in English. A Palestinian shopkeeper speaks to a Turkish customer – in English. An Egyptian tour guide leads a group including Chinese, Indonesians, Argentinians, and Brazilians – English is the language everyone knows. There was a time when French held this position, and indeed I got to speak some French with an Egyptian nun who had been educated in that language. On account of the American Empire, however, practically everyone is now obliged to learn this originally obscure German-French hybrid with three present tenses and a really bizarre spelling system. USA! USA! USA!)

• Finally, just for fun: I met a German couple in Istanbul who gave me this note. It is a real note, with a serial number and all the security features, it’s just worth zero Euros. Apparently the EU will allow the printing of them from time to time as souvenirs, to commemorate various things – in this case, the five hundredth anniversary of the publication of Martin Luther’s 95 Theses. The caption, “God’s mercy is free,” goes very well with the fact that the bill itself is “free.” Thank you, Bertold and Anne Stegemann!

The reverse includes the usual EU hodgepodge. I see Germany (Brandenburg Gate), Italy (the Coliseum), France (Eiffel Tower), Spain (Sagrada Família) and Belgium (Mannikin Pis) represented. I don’t know who belongs to the tower on the left.

Two Links

I wanted to share these before I left:

1. The British Parliament has advertised for a new Gentleman Usher of the Black Rod. My friend Hannes Kleineke sketches the history of this office:

To most people taking an interest in the work and procedures of the British Parliament, the Gentleman Usher of the Black Rod (or ‘Black Rod’ as he is known in popular parlance) is an immediately recognisable figure from the part he plays in the ceremonial surrounding the annual State Opening. The ceremonial is, however, only a small part of the duties of the modern ‘Black Rod’, who has overall administrative charge of much of the palace of Westminster.

This was no forgone conclusion: the office of Black Rod was originally that of usher to the King of England’s principal order of chivalry, the Order of the Garter, and for several centuries had no direct connection with Parliament. The Parliament Chamber, that is, in modern understanding, the House of Lords, was instead in the care of a different officer, the usher (or porter) of the Parliament Chamber. While the usher controlled access, and was thus able to command fees from intending suitors, his office also had a less glamorous side. The usher’s responsibilities included the preparation of the Parliament chamber and the maintenance of its furnishings, down to the provision of mundane items such as ‘canvas, corde, hamer, nailes, cordes, crochetes, worstede and other thinges’, as the account of John Frampton and William Welles, ushers in 1470, shows. The ushers had to think ahead, particularly when Parliament met away from Westminster: the items provided by Richard Baron and Simon Edward for the meeting of Parliament at Leicester in April 1450 included ‘a chair for the King to sit in’.

More at the link.

2. Moira Lavelle interviews the great Mary Lefkowitz (hat tip: Alex Lesk). My favorite bit:

Q: Some would say you are best known for your book Not Out of Africa: How Afrocentrism Became an Excuse to Teach Myth As History, arguing against the idea that all classical civilization started in Egypt. This is a bit of a departure from your other scholarship. How did this change the course of your academic career

A: In a way it isn’t a departure from my other scholarship. I’ve always been interested in how people get things wrong, so it wasn’t totally a detour. Though it was a detour to learn a lot about Egypt and Afrocentrism, which is a concept white people can zoom along and never know about.

In the ’90s Afrocentrism had this moment. There were linguistic efforts to show that Egyptian was the same as other African languages which it’s not. But Martin Bernal’s work had a moment of chic among people who didn’t know much about archaeology and Ancient  Egyptian history— there was this idea that ‘isn’t it wonderful, now classics can be so relevant, we can be connected to African civilization’. Not that I have any objection of classics being connected to anything. If we ever discover a large body of Egyptian philosophy very similar to Artistotle and Plato, that would be just fine with me. I just don’t think we will. The Egyptian philosophy of that time was very metaphysical, very hard to understand for us.

The other thing that threw me about Bernal’s work was he would always throw in false etymologies of words or places. He argued the word Parthenon came from Egyptian, Pr thn meaning ‘house of crystal’.  But the Parthenon has no crystal in it. It doesn’t make any sense on any etymological level. What etymologists have come up with is a very good list of loan words from Egyptian into Greek from even the 8th century, but these are just occasional loan words. Bernal didn’t know all that, and he just made up etymologies. And so few classicists even knew about linguistics that they believed the stuff.

The reason I got into the whole thing was I was asked to do a review by the New Republic and there was the concept of Afrocentrism, and I had known nothing about it. I remember writing this review and thinking maybe this was the most important thing I’d ever done. There was a whole mythology there that wasn’t recognized as mythology. It’s very interesting in it’s own right as way of gaining a kind of foundation myth. Just like in the early stages of the women’s liberation movement the Goddess Cult idea was very popular. But to say there was a matriarchy in classical religion to begin with is just false.

More at the link.

Thoughts on Book 2 of the Histories of Herodotus

Book 2 of the Histories largely concerns itself with Egypt. Herodotus is not just the father of history,* he is also the father of ethnography, and his description of the Egyptians suggests that they often do the opposite of whatever the Greeks do: in Egypt, women pee standing up, men sitting down; Egyptians, “preferring cleanliness to comeliness,” practice circumcision; women go to market and are employed in trade, while men stay home and do the weaving (which they do downwards, not upwards). But the Egyptians are not so odd that they have nothing in common with the Greeks. Although they may not be the oldest people in the world (the pharaoh Psammeticus ran a language deprivation experiment and determined that the Phrygians were older), they are certainly older than the Greeks. And Herodotus, being the lumper that he is, matched up Greek with Egyptian gods – and assumed that the Greeks derived their gods from the older Egyptians. (Elsewhere he suggests that the Greeks learned geometry and other things from the Egyptians as well.)

This is a touchy subject. If modern Europeans looked back on the Greeks with admiration, African scholars, in riposte, idealized the Egyptians. There is nothing essentially wrong with this, but the Herodotean notion of cultural priority was emphasized quite a lot by so-called Afrocentrists, including Marcus Garvey, George James, and Cheikh Anta Diop, and was developed into the charge that the Greeks stole everything from the Egyptians – just as nineteenth-century Europeans colonized Africa and expropriated its resources. (When I lecture on this topic I try to say that it is silly to hold the past hostage to present day concerns. Greeks are not stand-ins for “Europe,” nor is Egypt symbolic of “Africa.” They were different people in a different time, and interacted in various ways that may bear little resemblance to our current age. They should be studied as much as possible on their own terms.)

Herodotus is still our main source for Egypt’s Twenty-Sixth Dynasty (664-525 BC), but not for nothing is he called the “father of lies.” It seems that he can’t resist a good story, and I often get the distinct impression that his informants are pulling his leg, while he earnestly writes down everything they tell him. His theory of Egyptian cultural priority is an example of another characteristic: he often draws logical inferences from the facts as he discovers them, which may not actually be borne out by further investigation. Martin Bernal in Black Athena (1987) suggested that Europeans abandoned Herodotus’s Egyptian theory in the nineteenth century because their racism couldn’t bear the thought that the Greeks weren’t original, but Mary Lefkowitz in Not Out of Africa (1997) points out another reason: the decipherment of hieroglyphics in the 1830s meant that we no longer solely dependent on Herodotus for our information on ancient Egypt. As a consequence, we started to discover just how original the Greeks really were, and how Herodotus was simply wrong on this count.

*Patrick Wadden of Belmont Abbey College noted that Herodotus’s extensive discussion of the geography of Egypt, and how it has changed over time, is a topic that historians have only recently returned to.

The Sea Peoples

Eric Cline, author of 1177 BC: The Year Civilization Collapsed has penned an interesting post on the mysterious Sea Peoples, who are mentioned in Egyptian sources as attacking the delta near the end of the New Kingdom period.

The simple answer is that there is no simple answer. It remains an archaeological mystery that is the subject of much debate even today, more than 150 years after the discussions first began. But it’s a fascinating story with lots of twists and turns, right up to the present day.

It begins with the early French Egyptologist Gaston Maspero, who suggested in the 1860s and 1870s that a group of marauding invaders whom he called the Sea Peoples were responsible for bringing the Late Bronze Age to an end shortly after 1200 BCE. He based this on a number of Egyptian inscriptions, especially those on the walls of Medinet Habu, the mortuary temple of Ramses III, which is near the Valley of the Kings in Egypt.

By about 1900, this hypothesis had become so solidified that Egyptologists and other archaeologists essentially took it as a fact, even though there was no real proof that’s what had happened. At the time, even the mere existence of the Sea Peoples was only documented in the records left by Ramses III and by Merneptah, who ruled 30 years earlier. Each claimed to have fought against an invasion of these Sea Peoples. Merneptah said it happened in the fifth year of his reign, which would be about 1207 BCE, while Ramses III said he fought both a land and a naval battle against them in his eighth year, which would be about 1177 BCE.

More at the link – read the whole thing.

Thoughts I have had while lecturing

I. An interesting shift: at one point African-American slaves took inspiration from Moses leading the Hebrew slaves out of bondage from Egypt, hence the spiritual:

When Israel was in Egypt’s land, Let My people go!
Oppressed so hard they could not stand, Let My people go!
Go down, Moses, Way down in Egypt’s land;
Tell old Pharaoh To let My people go!

But of course Egypt is African, or judged to be representative of Africa, so starting in the twentieth century African-Americans began to look back with admiration on ancient Egypt, partly as a riposte to the European idealization of Ancient Greece (this is where the Afrocentric charge that the latter “stole” everything from the former comes from). Thus, for example, Alpha Phi Alpha, the nation’s first black fraternity, founded at Cornell in 1906 and which:

utilizes motifs from Ancient Egypt and uses images and songs depicting the Her-em-akhet (Great Sphinx of Giza), pharaohs, and other Egyptian artifacts to represent the organization…. This is in contrast to other fraternities that traditionally echo themes from the golden age of Ancient Greece. Alpha’s constant reference to Ethiopia in hymns and poems are further examples of Alpha’s mission to imbue itself with an African cultural heritage.

(This despite the fact that they use Greek letters to identify themselves – why not a couple of hieroglyphs?)

I suppose the fall of slavery in the United States lessened the appeal of the ancient Hebrews, allowing the shift toward sympathizing with the Egyptians.

II. One of my favorite records when I was in college features the novelty song “Istanbul (not Constantinople),” which dates from the 1950s and is (I suppose) a celebration of the rise of nationalist Turkey. By way of explaining the name change of that county’s most famous city, the song points out a parallel situation:

Even old New York, was once New Amsterdam.
Why they changed it I can’t say, people just liked it better that way.

But perhaps a more accurate assessment of this name change is that the British defeated their continental rivals the Dutch and took possession of the New Netherlands in 1664, and promptly changed the names of New Amsterdam and Fort Orange to New York and Albany respectively, after the Duke of York and Albany, the future King James II. Fort Orange was so called, of course, on account of “Orange” being the name of the ruling house of the Netherlands.

What’s ironic is that James II was a Catholic, and didn’t have the good sense to keep it to himself, and provoked the Glorious Revolution of 1688, whereby Parliament invited his daughter Mary Stuart to become queen, and her husband to become king… that husband being none other than William of Orange, king of the Netherlands. These two reigned as co-monarchs, hence the College of William and Mary in Williamsburg.

So an Orange was replaced by an Albany, who was replaced by another Orange (who opened up Ireland for Protestant settlement, hence the Orange Order, and Orangeman’s Day).

Confederate Monuments

While in Richmond we got a chance to see the Museum of the Confederacy. It is completely surrounded (and dwarfed) by the Virginia Commonwealth University Hospital and parking ramp, somewhat surprisingly – you’d think that they would have restricted development around such hallowed ground. But I suspect that time has passed it by. The original museum was housed in the White House of the Confederacy; in 1976 it was moved to a purpose-built building next door, while the house was restored to how it might have looked when Jeff Davis lived there. It’s clear that they have tried to make it more of a museum and less of a shrine, but the main exhibit can’t seem to get beyond its roots: you go through a chronological timeline of battles and other events, but all that’s on display are things like Lee’s overcoat or Longstreet’s sword or Johnston’s overcoat or Stuart’s overcoat. I did like the second floor, which was devoted to the various Confederate flags and clearly the work of John Coski, whose book on the subject I quite admire. (I was unaware of the existence of RuPaul as “Miss Rachel Tensions” in the 1995 movie To Wong Foo, Thanks for Everything! Julie Newmar.) The basement had some interesting social-history what-nots, like a keepsake made of human hair or a hat made of corn husks, although not all of this was Confederate as such.

Lately, this Museum of the Confederacy has merged with two other museums: one at Appomattox Court House, the site of Lee’s surrender in April of 1865, and one at Historic Tredegar, which is located on Richmond’s waterfront and was once the site of a gun foundry. We did not have time to go to Tredegar, but it apparently deals with the war from the Union, Confederate and slave perspectives. This new three-site institution is known as the American Civil War Museum and its motto is “Confederacy, Union, Freedom” – reflecting the mandate of the Tredegar site more than that of the Museum of the Confederacy site. So I suspect that if you are in Richmond, and you only have time to see one, you should probably go to Tredegar.

We did cruise up and down Monument Avenue, and marveled at the outsized monuments to Stuart, Lee, Jackson and Davis (there were also monuments to oceanographer Matthew Fontaine Maury and African-American tennis star Arthur Ashe; I think they need more such non-Confederate statues).

On the grounds of the State Capitol is an equestrian statue of Washington and six other famous Virginians. This was unveiled in the 1850s. The image of Washington on his horse was reproduced on the Great Seal of the Confederacy.

Via Wikipedia. The date, 22 February 1862, is when the CSA’s constitution went into effect and Jeff Davis was officially inaugurated to his six year term as president. The Confederates admired Washington as someone who had led a successful armed rebellion against a stronger foe.

Not far from the State Capitol is St. Paul’s Episcopal Church, another site with Confederate associations (both Lee’s and Davis’s pews are marked). I confess that I was taken aback by this stained glass window:

I like the Egyptian details. The white writing reads: “By faith Moses refused to be called the Son of Pharaoh’s daughter choosing rather to suffer affliction with the children of God for he endured as seeing Him who is invisible” and below that, across the bottom “In Grateful Memory of Robert Edward Lee, Born January 19, 1807.” This is a rather interesting way of viewing Lee’s resignation of his federal commission in order to lead the Army of Northern Virginia. Sorry, I think that African-American slaves have a much better claim to the notion that they were akin to the Hebrews in Egypt.

But speaking of things Egyptian, we enjoyed seeing this building:

Wikipedia.

It dates from 1845 and is now part of VCU – and has even made it onto the VCU seal.

Via Wikipedia. MCV = Medical College of Virginia; RPI = Richmond Professional Institute. These were merged in 1968 to form VCU.