Sometimes you can find interesting things in your own backyard.
• Not far from where I live is Rowland Springs Baptist Church. Nearby is the Rowland Springs Estates subdivision. Both of these take their names from a nineteenth-century resort located between them, a historical marker for which I discovered this week on Simpson Circle just before it gets to Harvey Knight Road (marked with a red star on the map). A chapter devoted to the resort and the personal connections made there appears in Ken Wheeler’s forthcoming book, which also deals with the fact that Rowland Springs was largely constructed by slaves, something ignored by the sign.
Curious about whether anything remained of Rowland Springs resort, I went exploring around the pond, which is indeed approximately one third of a mile east of the historical marker. But I’m afraid that I didn’t find much.
“Rowland Spring,” marked on the southeast of the pond on the map, has had something built around it.
It appears that the pond is man-made; on the south end of it is a wall, with a spillway over it.
The only evidence of actual buildings may be found on the northwest side of the pond. But I have no idea if these are remains of the resort, or if so, what buildings they might have been.
Seems an ignominious end to the “most exclusive resort in Georgia”!
• The town of Euharlee may be found about nine miles to the west of Cartersville, in the shadow of Plant Bowen. Euharlee is famous for its wooden bridge, built in 1886 by Washington King, son of freedman Horace King.
A view of the interior reveals the wooden “town lattice” design. Of course, no vehicular traffic traverses the bridge anymore – the newer car-bearing concrete bridge crosses Euharlee Creek a little further downstream, allowing this bridge to remain as a memento of yesteryear.
More information on the bridge can be read on these two signs. Actually, much of Euharlee is quaint and historic, with plenty of signs like the one above explaining such things as the Lowry Grist Mill, the Lowry Family Homestead, the Granary and Commissary, the Mercantile and Blacksmith shop, and the Black Pioneers’ Cemetery. It’s worth a stop if you’re every passing through.
• Bartow County’s Confederate memorial still stands on the front lawn of the county courthouse. It has not yet been toppled or even defaced by vandals, although Cartersville has had some pro-BLM protests. It is fairly typical of the sort of Confederate monument one finds in small towns across the South, and includes the usual helping of gaseous nineteenth-century “elevated” diction:
I am no fan of the Confederacy and I do not agree with any Lost Cause idealization of it, but I am still not in favor of taking down this monument. It’s fairly unobtrusive – you don’t even realize it’s a Confederate monument until you get up close to it – and it’s just sitting there; it is not in continuous use to represent Bartow County (unlike, say, Mississippi’s flag or the star of the Order of St. Michael and St. George, both of which have become politically unpalatable). Like other monuments, it does not accurately represent the Confederacy, but it does reflect the era when people wanted to uplift Confederates. In that way, it certainly is “historic.”
As you can see, a great surge of monument building took place in the first decade of the twentieth century, I suppose as a result of Confederate veterans dying off. (Jim Crow had been well established by then and I don’t think it was under threat by the federal government – unlike in the the 1950s and -60s, which produced the second blip.)
However, I would not be against the installation of a plaque explaining this historical context, and suggesting that such lines as “there were men whom power could not corrupt” or “the state has preserved the priceless treasure of her memories” are not to be taken seriously.
I have stated before that I am in favor of leaving monuments alone, and constructing more monuments to things that we currently approve of. I have not changed this opinion, and I am pleased to note that Cartersville agrees with me in its way. Not far away from the county courthouse is the city hall, and since 2018 its front lawn has featured this sculpture, entitled Pathways to Freedom: A Story in Every Stitch, by artist Przemyslaw Kordys. The nine squares represent different quilt patterns which held coded meanings for slaves traveling to freedom along the Underground Railroad. A nearby plaque explains them. For instance, the square at the top is designated the North Star (“prepare to journey north to freedom”), the square on the far left is called Crossroads (“referring specifically to Cleveland, Ohio, code named Station Hope”), and the square on the bottom is Wagon Wheel (“pack provisions for traveling by wagon”). More information on the African American Quilt Documentation Project of Bartow County, which sponsored this monument, may be read on the website of the Etowah Valley Historical Society.
I am glad that the Underground Railway existed, and we all ought to know more about it, but this monument proves, in its way, that we are no less prone to mythologizing than ex-Confederates were c. 1910. The idea that quilts were ever used to give coded instructions to runaway slaves, while inspirational, seems to date from the 1990s at the earliest. I am not in favor of taking down this monument either, but we should probably not condescend to the past if we too are going to indulge in expressing things that we want to be true but whose existence is not supported by primary source evidence. I’m pleased to note that even the plaque for this sculpture states that “The patterns in the quilt motif are believed to have been used by enslaved Africans in their escape to freedom. Legend holds the quilt patterns were given code meanings to aid slaves” (emphasis added).
• This ruin, located just north of Kingston, serves as a silent witness to the existence of the Howard Hydraulic Cement Company, which employed fifty men around the turn of the twentieth century. It even provided the name of the local town: Cement, whose charter was repealed in 1995.
• Actually, I wonder, given the spirit of the times, if “Bartow” won’t soon revert to “Cass” – or be named after some other person (or better, thing), given that it was named after Lewis Cass in the first place because, as Andrew Jackson’s Secretary of War, he was in charge of implementing Cherokee removal. (He also turned out to be staunch a Unionist, thus the name change in 1861.)