Hengist and Horsa

Richard Utz on Medievally Speaking:

Adventures in Anglalond: Angles, Saxons, and Academics

On July 4, 1776, the Second Continental Congress determined, among many other and more important matters, that a committee of three, John Adams, Benjamin Franklin, and Thomas Jefferson, should recommend a seal for the new United States of America. By August, each of the men suggested different designs, with scenes and symbols deriving from the usual suspects: Classical mythology, the Bible, and the Middle Ages. Adams settled on the figure of Hercules as he contemplated abstractions of Virtue and Sloth; Franklin imagined Moses extending his hand and destroying Pharao and his armies; Jefferson agreed with seeing Moses and Pharaoh on one side of the seal or medal they were considering. On the reverse, however, he added a surprise element: “Hengist and Horsa, the Saxon chiefs from whom we claim the honor of being descended, and whose political principles and form of government we have assumed.” None of the three proposals ended up being picked, and several other versions were also rejected, including one with a shield flanked by the maiden America and a medieval knight in armor.

Clearly, certain ideas and tropes of the medieval past loomed large in the imaginary of the country’s late eighteenth-century founders. Jefferson’s anchoring of American claims of self-determination with a pair of mythographic Germanic settler-colonizers, whom he seems to credit with creating a form of self-rule in early medieval Kent, is rather ironic. After all, his own grandparents on his father’s side had immigrated from Northern Wales, a region that became part of the “Celtic fringe” (roughly today’s Cornwall, Ireland, Isla of Man, Scotland, Wales, and Brittany) into which the indigenous Romano-Celtic inhabitants of the ‘British’ isles retreated as the Angles, Saxons, and Jutes expanded their territories.

Of course, historical accuracy and exact genealogy were not priorities when a late eighteenth-century politician yearned to demonstrate the manifest destiny of his nation. Jefferson’s priority was to unite the new nation behind what he felt was a linguistically and culturally plausible ‘English’ national heritage of entrepreneurial colonizers. And as nationalism gradually increased during the nineteenth and early twentieth-century, the practitioners of medieval studies in the U.S., European countries, and many of their colonies worked within similar nationalist paradigms. In fact, it is not an exaggeration to say that medieval studies would never have succeeded at finding broad acceptance at the modern university if it had not been in lockstep with these very paradigms: The heavy research focus on national epics (Song of RolandNibelungenliedEl Cid), the use of linguistics to prove ‘ownership’ of medieval texts (Beowulf as a Danish, German(ic), or English/British narrative), or nationalized methods of textual editing (Karl Lachmann vs. Joseph Bédiér) provide evidence for the long-standing interdependence of nationalism and medieval studies. Numerous critical evaluations, from Reginald Horsman’s Race and Manifest Destiny: The Origins of American Racial Anglo-Saxonism (1981) through Mary Dockray-Miller’s “Public Medievalists, Racism, and Suffrage in the American Women’s College” (2019) demonstrate the same interdependence in the area of “Anglo-Saxonism”. 

I did not know about Jefferson’s proposed seal, nor about the place of Hengist and Horsa in the American “imaginary” – although I would point out that Jefferson does not talk only of “descent”, but also of “political principles and form of government.” This may not have been entirely accurate either, but it was’t necessarily racial, as Tom MacMaster comments:

Respectfully, I think this post is both wrong and misleading. It misses the important dimension that Jefferson (et al.) weren’t particularly interested in the racial/ethnic identity of Hengist & Horsa but were steeped in ideas related to the English Civil War and the notion of the Norman Yoke. Occluding that discussion (which most of these endless discussions of the evilness of Anglo-Saxon have done) misses a really important aspect of the use of the term (when used as an endonym; quite a lot of the ‘oppressive’ aspect also is its use as an exonym, e.g. by French political theorists or sociologists like Andrew Hacker, the popularizer of the “WASP” acronym). Pretending otherwise only aids in pushing a mendacious narrative favored by a group of pseudo-leftist ideologues and stochastic terrorists who are bent on destruction of the academic study of the middle ages.

I would also like to say that Medieval Studies, as a discipline, may have been associated with nineteenth-century nation-building, but I take it for granted that the entire field is not forever tainted. I am glad for the existence of the publications of the Early English Text Society and the Rolls Series which, whatever their origins, are extremely useful in illuminating the past. 

Symbols of Medicine

A peeve of mine, which I record for posterity:

The proper symbol of medicine is called a Rod of Asclepius, and consists of a single snake wrapped around a central pole. It is not to be confused with the Caduceus, which consists of two snakes wrapped around a winged pole, and is associated with the god Hermes.

Rod of Asclepius and Caduceus. Pinterest.

The hero Askepios was the son of the god Apollo and either Coronis or Arsinoe, both mortals. Asklepios’s attributes are a snake and a staff, combined into a single symbol. The staff seems to have been simply the sign of an itinerant physician, while the snake can be seen in many ways:

sometimes the shedding of skin and renewal is emphasized as symbolizing rejuvenation, while other assessments center on the serpent as a symbol that unites and expresses the dual nature of the work of the physician, who deals with life and death, sickness and health. The ambiguity of the serpent as a symbol, and the contradictions it is thought to represent, reflect the ambiguity of the use of drugs, which can help or harm, as reflected in the meaning of the term pharmakon, which meant “drug”, “medicine”, and “poison” in ancient Greek. Products deriving from the bodies of snakes were known to have medicinal properties in ancient times, and in ancient Greece, at least some were aware that snake venom that might be fatal if it entered the bloodstream could often be imbibed. Snake venom appears to have been ‘prescribed’ in some cases as a form of therapy.

By an interesting coincidence a healing snake-and-pole device also appears in Numbers 21:

[The Israelites] traveled from Mount Hor along the route to the Red Sea, to go around Edom. But the people grew impatient on the way; they spoke against God and against Moses, and said, “Why have you brought us up out of Egypt to die in the wilderness? There is no bread! There is no water! And we detest this miserable food!”

Then the Lord sent venomous snakes among them; they bit the people and many Israelites died. The people came to Moses and said, “We sinned when we spoke against the Lord and against you. Pray that the Lord will take the snakes away from us.” So Moses prayed for the people.

The Lord said to Moses, “Make a snake and put it up on a pole; anyone who is bitten can look at it and live.” So Moses made a bronze snake and put it up on a pole. Then when anyone was bitten by a snake and looked at the bronze snake, they lived.

It’s interesting how snakes are generally symbols of evil in the Christian tradition, but ambiguous in Greek paganism. Here, however, is a Biblical example of a snake that does some good. (And I believe this passage has been used by Christians to justify their use of apotropaic images, in apparent violation of the second commandment.)

    

Medical bodies that are on the ball will identify themselves with a Rod of Asclepius. Left to right: the Emergency Services’ Star of Life, the coat of arms of Geisel School of Medicine at Dartmouth College, and the logo of the American Medical Association, all from Wikipedia.

The Caduceus, by contrast, comes from the Greek kērukeion, and simply means herald’s staff. Since Hermes was the herald of the gods, he is often depicted with a staff of some sort, usually with something wound around it; this has been formalized as two snakes, and the wings match the wings on Hermes’s helmet and shoes. The Caduceus, therefore, represents items in Hermes’s wheelhouse, chiefly commerce.

   

Coat of arms of Jyväskylä, Finland and of Metropolitan Toronto (1954-98) featuring Caduceuses. From Wikipedia and the Online Register of Arms, Flags, and Badges of Canada.

Or rather, the Caduceus ought to represent commerce. By the same process that saw methodology replace method, or discipline replace field, a device with two snakes (and two wings!) was seen as somehow grander than a device with one. See the Wikipedia entry on the Caduceus as a symbol of medicine.

Wikipedia.

Apparently the US Army was the chief culprit here. Daniel P. Sulmasy said that “It is hard to trust a profession that cannot even get its symbols straight,” but others have noted the ironic appropriateness of the American medical profession representing itself with a symbol of commerce.

Symbolism

Two recent news items.

Wikipedia.

1. From Huffpost Canada:

Canada’s Coat Of Arms Needs Redesign To Include Indigenous Peoples: Petition

Randolph Shrofel, a retired educator from Manitoba, says it’s “just one more piece of the puzzle.”

TORONTO — Randolph Shrofel isn’t exactly sure where he was when he first took a good look at the front of his passport, only be struck by what was missing.

The retired high school guidance counsellor from Sandy Hook, Man. travels a lot these days with his wife Ruth, a former elementary school principal. Like many Canadians, Shrofel suspects, he never paid much mind to the golden coat of arms on the front of those ubiquitous leather booklets.

The emblem is one of nine official symbols adopted by the government of Canada to spark national pride. It can be found everywhere from official government documents and buildings to the prime minister’s plane and the rank badges of some Canadian Forces members.

“Over a period of time, I noticed there is no Indigenous content in the coat of arms at all,” he told HuffPost Canada. “And that started to make me think.”

In early December, Shrofel launched an electronic petition calling on the federal government to revise the coat of arms to “include representation of the Indigenous peoples of Canada (First Nations, Inuit and Métis) as co-founders of Canada.”

The e-petition is being sponsored by Manitoba Liberal MP Robert Falcon-Ouellette, who hails from the Red Pheasant Cree First Nation and was a leading voice pushing for Indigenous languages to be translated in the House of Commons.

Ouellette suggested going the route of a grassroots petition, Shrofel says, where 500 valid signatures over a period of 120 days will trigger an official government response.

I agree with this, although I did not include this critique in my short history of Canada’s coat of arms. The shield should be reduced to the maple leaves alone, but I’m in favor of retaining the banners of the Union Jack and the arms of France on each side, since they represent past sovereignty. But that means that we really should acknowledge Native sovereignty too. What to do? Would one pan-Indian symbol suffice? (Does such a thing even exist?) Or do we need to acknowledge every tribe in Canada? (This would get pretty aesthetically unwieldy.)

I would not be against changing the supporters to being native fauna – say, a moose and a polar bear, and I would not be against these creatures wearing collars and pendant badges referring to Indians and Inuit, in as inclusive a manner as possible. I would not be in favor of a stampede whereby every discrete group in Canada demands the right to specific acknowledgement in the coat of arms.

2. From the Washington Post:

A new Mississippi flag has a surprising champion: A segregationist’s grandchild

 Things are slow to change in this Old South bastion. The brass bird cage of an elevator in the Mississippi State Capitol that Laurin Stennis used to ride as a 6-year-old coming to see her daddy was still operated by hand when she stepped into it one day in early January, a 46-year-old coming to shake things up. Or at least nudge things along.

“Ground floor, please, sir,” she said to the operator.

But some things have changed. The lawmaker who greeted Stennis in the grand marbled lobby below was an African American woman, something unheard of when Stennis’s father, John H. Stennis, was a member of the nearly all-white, all-male state legislature and her grandfather, John C. Stennis, was a legendary champion of segregation in the U.S. Senate.

“I’ve already filed your bill,” state Rep. Kathy Sykes said after hugs. “I’m just waiting on the number.”

It was the start of a new legislative session, and Sykes, a Democrat from Jackson, had once again introduced legislation to replace the Mississippi state flag — the last in the country that still incorporates the Confederate battle flag — with a design widely known as the “Stennis Flag.” It features a big blue star on a white field, encircled by 19 smaller stars and flanked by red bands.

It’s graphically pleasing and increasingly popular. If the Stennis Flag eventually replaces the old banner — its supporters aren’t expecting much to happen this year, with state elections looming — the banner might help alter the view the world has of Mississippi, a state with a brutal history of Klan murders and racial oppression. It could alter the reputation of one of the state’s most famous political names, as well.

A great design, both aesthetically and symbolically (the big star represents Mississippi, the nineteen smaller ones represent previously admitted states to the Union). I confess that I still prefer the Magnolia flag, though.

UPDATE: I am in favor of getting rid of the current Mississippi flag, but I feel compelled to state that I object to such sentences as this, which come so easily to journalists at the Washington Post:

the banner might help alter the view the world has of Mississippi, a state with a brutal history of Klan murders and racial oppression.

I can think of a few “views” that Group A might have of Group B, which to the mainstream media cannot possibly be the fault of Group B, but can only be the result of stereotypes held by Group A and are thus streng verboten. I’d also like to point out that, for example, Illinois, the Land of Lincoln himself, also has a brutal history of Klan murders and racial oppression.

O Canada

Watching the opening ceremonies of a Toronto Maple Leafs game last night reminded me of something that might end up being Prime Minister Justin Trudeau’s most lasting legacy: a slight change in the lyrics of the Canadian national anthem to make it less sexist. The second line used to be “True patriot love in all thy sons command”; as of February of this year it is “True patriot love in all of us command.” I don’t have anything against this change on principle, although the new version is less poetic and will take some getting used to.

But I’m sure I will get used to it, because this is not the first time that such change has occurred. The English lyrics to “O Canada” were only officially standardized in 1980, when I was in grade four. Prior to that time there were a number of versions sung throughout the land. The one we sang went like this:

O Canada! Our home and native land
True patriot love in all thy sons command
With glowing hearts we see thee rise
The true north strong and free
And stand on guard, O Canada
We stand on guard for thee
O Canada, glorious and free
We stand on guard, we stand on guard for thee
O Canada, we stand on guard for thee

The version sung by Roger Doucet prior to Montreal Canadiens’ games featured “We stand on guard for rights and liberty” as the penultimate line. We would sometimes sing this at school to show what great hockey fans we were.

The version unveiled in 1980 goes like this. Changes are boldfaced.

O Canada! Our home and native land
True patriot love in all thy sons command
With glowing hearts we see thee rise
The true north strong and free
From far and wide, O Canada
We stand on guard for thee
God keep our land glorious and free
O Canada, we stand on guard for thee
O Canada, we stand on guard for thee

This version is better insofar as it has fewer redundancies, but by introducing a reference to “God,” it guaranteed resentment in certain quarters. And although they’ve dropped “all thy sons,” we still have the word “native,” which is now claimed as exclusive property by Canada’s First Nations people – and is alienating to immigrants anyway. So the national anthem is still slightly dodgy.

Still, though – “True patriot love“! “With glowing hearts“! “True north strong and free“! “Stand on guard for thee“! These expressions have entered the Canadian vernacular and echo down the years. I wipe away a tear just contemplating them.

But there is a further detail that needs to be mentioned. As you may be aware, Canada is officially bilingual, with a full quarter of its population speaking French as its native tongue. This is the Fundamental Divide in Canadian politics and society. The original lyrics to “O Canada” were composed in French, for a Francophone holiday – la fête de la Saint-Jean-Baptiste – in 1880. English lyrics were published in 1906, and the song eventually became the de facto Canadian national anthem (I guess the centennial of the song in 1980 prompted the government to make it official). So it turns out that, like the beaver and the maple leaf, the national anthem was a Francophone thing that the Anglos simply appropriated, forcing the Québécois to find substitutes (the fleur de lys and “Gens du pays” come to mind).

The fact that the original French lyrics of “O Canada” were not translated directly into English is supposedly symbolic of how divided the country is. Here is what the French lyrics mean:

O Canada! Land of our ancestors
Your head is crowned with glorious jewels
Because your arm knows how to carry the sword
It knows how to carry the cross
Your history is an epic
Of the most brilliant exploits
And your valor, steeped in faith
Will protect our hearths and our rights
Will protect our hearths and our rights

These lyrics really illustrate the song’s Francophone origin. You can see the Catholic (cross, faith) and ethnic-nationalist (ancestors, hearths) content in it – whereas the English is a little more deist and geographical.

But I do think that national symbols (anthems, flags, etc.) should actually be saved for when national teams play other national teams, and shouldn’t appear before mere professional games.

Vive la Révolution!

For Bastille Day (July 14), let us take symbolic tour of the French Revolution.

The French Revolution of 1789 is often billed as “the birth of modern politics” and the Jacobins who took it over “the first modern political party.” Indeed, they shared more than a little in common with the Bolsheviks who took over Russia in 1917. It wasn’t enough to have a regime change; both the Jacobins and the Bolsheviks felt they had to remake their respective countries from the ground up. There came to be a “revolutionary” way of doing everything! In this way did the the French Revolution differ from the American Revolution that inspired it. For the Americans to dissolve the political bands that tied them to the British crown was psychologically easy enough, given that 3500 miles of ocean separated the two; the Americans adopted a new flag and national emblem, and rejected anything monarchial, but left pretty much everything else about their society intact. The situation was rather different in France, given that the government, and its numerous supporters, were all right there, and ready to make alliances with neighboring powers hostile to the revolution. Thus there was a greater imperative to extirpate everything associated with the ancien régime, through terror if necessary.

France’s original experiment with republicanism ended in 1804 in favor of Napoleon’s empire, and the country reverted to monarchy in 1815. Another dynasty took over in 1830, which in turn was ousted in 1848 in favor of another republic. Then followed (from 1852) another empire, which fell in 1871 in the wake of the Franco-Prussian War. Since that time, France has been consistently republican, so many of these revolutionary symbols are now respectable (and unremarkable) state symbols. Some of them did not stick, however. All of them were highly political when they were first introduced. If there was any principle in operation at the time, it was that anything monarchial, Catholic, or medieval was out, and anything republican, classical, or “enlightened” was in. Things like…

mariannes

Philatelic Mariannes (author’s collection).

Allegorical female figures. In Latin (and in French), most abstract nouns are feminine, so it is easy to imagine “Justice” or “Hope” as female figures. The revolution saw the increased use of these – the idea was to avoid saints like Joan of Arc, Louis IX, or Denis. The seal of the First French Republic (1792) featured “Liberty”; in 1830, Eugène Delacroix painted Liberty Leading the People (see below). Eventually a female figure representing France acquired the name “Marianne” and is now an integral part of French symbolism. A young woman is even elected as a model Marianne on a regular basis by all the mayors of France. She’s everywhere!

frenchcocks

French stamp (author’s collection); emblems of the French national rugby league team, ice hockey team, rugby union team, and football team; Le Coq Sportif logo (Wikipedia)

Rooster. Another classical reference. The male chicken is a “gallus” in Latin, which was also the name of the Roman province of Gaul, which became France after the Franks settled there. The rooster itself is watchful, and will preserve the revolution. After Marianne, the coq gaulois is the most common animate symbol of France today. (Certainly the fleur de lys, that sacred symbol of French royal power, was right out!)

delacroix

Eugène Delacroix, Liberty Leading the People (1830), detail, via Wikipedia.

Bleu-blanc-et-rouge. I understand that the French tricolor actually dates from the early days of the revolution, when people thought that a constitutional monarchy was still possible. White was the Bourbon color, and red and blue the colors of Paris, so the idea was that the three colors represented an alliance between the monarchy and the citizenry. The three colors survived the execution of Louis XVI, however, and as a cockade identified the revolutionary National Guard. A tricolor flag of vertical stripes soon followed. It has been France’s national flag continuously since the July Monarchy of 1830.

135_C

Tympanum of a state-owned French church, via Wikipedia.

Liberté, Égalité, Fraternité. The three colors of the revolutionary flag are often linked to the three words of the revolutionary motto, which is perhaps why this motto won out over others in use at the time. Any man of the Enlightenment would recognize “liberty” and “equality” as ideals; the fact that the motto goes on to embrace “fraternity” is probably a testament to the influence of Jean-Jacques Rousseau and his mystical concept of the General Will. (Many people have pointed out that the motto ends up contradicting itself – are you at liberty to drop out of your fraternity?)

79760_sealfrench_lg

Seal of the First French Republic, 1792. From Clip Art Etc.

Fasces and Phrygian cap. These were two more revived classical symbols beloved of the revolutionaries. A fasces consists of a bundle of rods bound around an axe. It was a ceremonial object borne before the consuls in republican Rome, and is thus a symbol of republicanism (although it isn’t as popular as it once was, given that it’s also a symbol of fascism). The Phrygian cap was worn by Phrygians and others in the ancient Near East; through confusion with the pileus, cap worn by freed slaves in Rome, it came to be a symbol of freedom. Marianne wears one, often with a tricolor cockade; sometimes the cap is shown lifted aloft on a pole.

Inscription_Eglise_Ivry-la-Bataille

Inscription (1792-1794) on a church at Ivry-la-Bataille, via Wikipedia.

Cult of Reason. Nothing better illustrates the anti-clericalism of the revolutionaries than their sponsorship of the Cult of Reason as a replacement for Roman Catholicism. Churches across the land, including Notre Dame in Paris, were transformed into Temples of Reason, and a national Festival of Reason celebrated on 20 Brumaire Year II (see “Revolutionary Calendar” below). As the name implies the religion was dedicated to the pursuit of philosophy, and the object of its worship was “the people.” This was too much for everyone to stomach, and Robespierre himself sponsored a competing Cult of the Supreme Being, which at least acknowledged the existence of a god of sorts. After Napoleon’s concordat with the Catholic Church in 1801, he banned both cults.

Panthéon,_Paris_25_March_2012

Le Panthéon national, via Wikipedia.

Panthéon. Another aspect of the revolutionaries’ anticlericalism was their expropriation of the church of Ste. Geneviève in Paris and its transformation into a mausoleum for national heroes, such as Voltaire and Rousseau. This Panthéon (a nice classical reference there) has reverted to being a church on a couple of occasions and a cross remains on the dome as a memento of the building’s original purpose, but it is still in use today as a secular French hall of fame (the most recent interments were in 2015). Foucault’s Pendulum, proving the rotation of the Earth, was first demonstrated in the Panthéon in 1851.

map_departments

A map of the départements of 1798. From Liberty, Equality, Fraternity: Exploring the French Revolution.

Départements. The thing about the ancien régime is that its traditional geographical subunits (Aquitaine, Burgundy, Brittany, etc.) were also the titles, and private fiefdoms, of various dukes and counts. Such particularism, and anything smacking of aristocratic privilege, could not be welcome in the new France. So the revolutionaries divided the country into 83 départements, each one to be governed by a civil servant known as a prefect and each one named, neutrally, after a local river or some other geographical feature. The capital of each département was to be no more than a day’s ride from any settlement in it, as a security measure. It remains the fundamental administrative division in France, even if people might still claim to be from “Champagne,” “Normandy,” or some other traditional area.

metric

“Use of the New Measures,” woodcut from eighteenth century France (detail), via Wikimedia Commons.

Metric System. This one is still in use; in fact, it’s one of the most successful of all the products of the Revolution, exported to Europe and then to the world. Only eccentric places like the USA hold out against it. One can understand the revolutionaries’ desire for a uniform system of measurement, given the multiplicity of different systems within France prior to 1789 (although why the Bourbons, with all their absolutist power, didn’t manage to impose one on France themselves, has always been a mystery to me). It is very much a product of the Enlightenment, in which everything is Logical. The base units are derived from nature, and relate to each other, and a uniform set of prefixes indicate by which power of ten we are to multiply the base unit. A gram, the base unit of mass, is equal to one cubic centimeter of water, which itself represents one milliliter of liquid measurement. Zero degrees centigrade is the freezing point, while 100 is the boiling point. A thousand meters is a kilometer, a thousand grams is a kilogram, a thousand liters a kiloliter. All very rational – although sometimes twelve is actually an easier number to work with, in that you can divide it in half, and then in half again, and also in thirds. Also, what’s easier to say, a “mile” or a “kilometer”? And a yard may be all of three inches shorter than a meter, but the one is allegedly derived from the length of the king’s arm, while the other is one ten-millionth the distance from the North Pole to the Equator. I can’t help but think that the former is intuitive and human centered, while the latter is abstract and inhuman. (Or perhaps I have just lived too long in the United States…)

20757171

Personifications of the autumnal Revolutionary months of Vendémiaire (“vintage”), Brumaire (“mist”), and Frimaire (“frost”), from Journal d’un Ségoleniste.

Revolutionary Calendar. Like revolutionaries everywhere, the Jacobins claimed they were living in a new era, and designated 1792, the year of the abolition of the French monarchy, as Year One. They also reorganized the calendar so that there were twelve months of thirty days each, with an extra five or six intercalary days dedicated to revolutionary virtues like “talent,” “labor,” or “honors.” Every other day of the calendar was dedicated to a fruit, vegetable, animal, or tool, and the months themselves were given descriptive names like Messidor (“harvest,” June-July) or Nivôse (“snowy,” December-January). No longer would people be celebrating the saints’ days of the old calendar! This innovation did not stick (Napoleon revived to the Gregorian system in 1806), although the names of some of the months live on, as in Lobster Thermidor, Emile Zola’s Germinal, or Karl Marx’s Eighteenth Brumaire of Louis Napoleon. An interesting website has more information, and a calendar converter.

Clock-french-republic

French decimal clock from the time of the Revolution, via Wikipedia.

Decimal Time. This one was even more bizarre. That there are sixty seconds in a minute, and sixty minutes in an hour, and twenty-four hours in a day, was displeasing to some people. Metric is based on powers of ten, so the revolutionaries sponsored a decimal system of time measurement whereby each day had ten hours, each hour had 100 minutes, and each minute 100 seconds. This was deprecated in 1795.

Guillotine. Everyone knows about this instrument of the Reign of Terror (although it was only one of several methods of execution that the Jacobins employed). The irony is that the guillotine was actually considered humane, and a social leveler to boot. In the ancien régime, commoners got hanged, while only aristocrats were entitled to decapitation. The trouble is that often the hanging victim did not die instantly, while the executioner of nobles sometimes required several sword strokes to finish the job. The guillotine was not going to miss, and provided an instant, painless death no matter what social class you were from. It remained the preferred method of capital punishment in France until the abolition of the death penalty in 1981.

Sans-culottes. Men did not always wear trousers in the western world; certainly in the eighteenth century, if you had any sort of position to keep up, you wore breeches – trousers that stopped just below the knee, with hose covering the remainder of your leg. Only the lower classes wore trousers that went all the way down to the ankle. But insofar as the Revolution was about lifting those people up, it became briefly fashionable for everyone to wear pantalons. It was certainly a good idea during the Terror, when any hint of association with the old ways could spell death. “Sans-culottes” means “without breeches” and refers to radicalized members of the working classes who were some of the revolution’s most fervent supporters, although their ideas were more about equality of outcome rather than equality of opportunity and they were marginalized following the Thermidorian Reaction (1794). (Apparently the fashion arbiter Beau Brummell introduced trousers to London society during the Regency [1811-20], making them safe for the upper class to wear.)

legionhonor

Jean-Auguste-Dominique Ingres, Napoleon I on his Imperial Throne (1806), detail showing collar of the Legion of Honor, via Wikipedia.

Legion of Honor. This was a Napoleonic innovation, meant to replace the chivalric orders of St. Michael (1469) and of the Holy Spirit (1578), sponsored by the French monarchy. The Légion d’honneur, in good republican form, was meant to recognize talent, merit, and achievement, not birth. It has survived all subsequent vicissitudes of French politics and remains the pinnacle of the French honors system.

marseillaise

From the blog of 98.7 WFMT.

The Marseillaise. This song was composed in 1792 after the declaration of war against Austria and declared the revolutionary anthem in 1795. It derives its name from a group of volunteers from Marseilles who sang it as they traveled to Paris. You know the tune – it opens the Beatles’ “All You Need is Love,” strains of it are heard in the finale of Tchaikovsky’s 1812 Overture, and it is played by the man with the tape recorder up his nose in the Monty Python sketch. The lyrics are pretty violent – the enemy is coming to “slit the throats of our sons and companions,” so we must fight back and “let an impure blood soak our fields”! It was deprecated by Napoleon and banned by the nineteenth-century monarchs, but restored to official status in 1879 and remains France’s national anthem.

Jean-Pierre Houël, Prise de la Bastille (1789), via Wikipedia.

Finally, there is Bastille Day itself, or as the French call it, la Fête nationale. There were many events in the fateful year of 1789, including the convocation of the Estates-General (May 5), the Tennis Court Oath (June 20), the Great Fear (July-August), and the Declaration of the Rights of Man and the Citizen (August 27). But the one that everyone remembers, and that stands in for everything else, is the Storming of the Bastille on July 14. The Bastille was a prison in Paris that had come to symbolize royal tyranny, and following the dismissal of the reformist Finance Minister Jacques Necker on July 12, the Parisians stormed it. Ninety-eight attackers and one defender died in the battle; afterwards, the governor of the Bastille had his head removed and paraded around on a pike. The prisoners – none of whom was actually political by that time – were freed, and the building quickly reduced to rubble.

The elevation of July 14 to its current status of premier national holiday came about in 1880, in the early years of the Third Republic. I do not know why this event of all that took place in 1789 became so important – I guess, as with the Marseillaise, that violence shows you’re serious.

UPDATE: I suppose a better reason is that the destruction of a physical barrier, like in Berlin on November 9, 1989, is psychologically satisfying. Here is a photo of a model of the Bastille, made from one of the bricks of the Bastille, presented to Washington by Lafayette, on display at Mount Vernon.

Photo: Anne Good.

The Importance of History

According to the National Post, the logo for BoltBus, a recently-founded Greyhound subsidiary, has caused a bit of a stir, because it is a little too reminiscent of the insigne of the Oswald Moseley’s British Union of Fascists. From Wikipedia, the respective designs:

BoltBus_logo

400px-Flag_of_the_British_Union_of_Fascists.svg

It’s not quite the same (different shade of blue, and the bolt is slightly different), but it goes to show that you should probably pay attention to these things. But as the article says:

BoltBus has likely steered clear of any fascist associations for the simple fact that they are a bus company—a sector that traditionally has very little in common with far-right politics.

“If this was, say, the logo for the British Columbia Bolt of Truth Party, then I think the danger of making the connection is stronger,” he said.

And indeed, the logo does not seem to have hurt BoltBus’ fortunes.

Launched just before the 2008 financial crisis, BoltBus has gradually expanded its reach across the U.S. and Canada, and has presided over a decisive turnaround in North American bus ridership.

“We felt the lightning bolt as a logo fit the name of the brand,” wrote Gipson.

Lightning is a “quick burst of energy,” she said, and BoltBus is a “quick, energetic and fun mode of transportation.”

As for the fascist connotations, in eight years the similarities have only been noticed by the occasional history or design blogger. Said Gipson, “we have heard from only a few about the logo’s resemblance.”

Entirely by accident, it seems, BoltBus has joined a small but growing movement to reclaim other “stolen” symbols of 20th century fascism.

Very interesting. I don’t think that we’re quite ready to “reclaim” the swastika, however! That one has been ruined for some time to come…

Eighteenth-Century Slavery

As readers may be aware, a number of activists at Harvard Law School have organized themselves into a group called “Royall Must Fall,” inspired by the successful “Rhodes Must Fall” campaign at the University of Cape Town, which was directed against a statue of that particular arch-imperialist. “Royall Must Fall” is not animated by any statues, but by the HLS coat of arms, which looks like this:

hls

Via Wikipedia

What is wrong with this, you ask? The three sheaves of wheat are the coat of arms of Isaac Royall, Jr. (1719-81), whose bequest of land in 1779 served as the original endowment for HLS – and whose family wealth derived from the slave trade in Antigua, where his father had taken part in the brutal repression of a slave revolt in 1736. The offensiveness of these facts to our current sensibilities do not need to be spelled out. To underline their point, RMF members adopted their own coat of arms featuring black slaves carrying the sheaves of wheat:

hlsrev

From the Royall Must Fall Facebook page.

The HLS coat of arms, like those of most subunits of Harvard, dates from the university’s tercentennial in 1936. In that year, Pierre La Rose designed a heraldic system for the university: each school (medicine, law, public health, dentistry, etc.) got a coat of arms featuring the arms of its founder, differenced by the so-called “chief of Harvard” – a crimson horizontal band across the top, featuring three open books collectively bearing the Harvard motto “Veritas.”

harvard3

Via Wikipedia, the arms of Harvard Divinity School, Kennedy School of Government, and Harvard Business School. For the meanings of these and other Harvard shields, see Mason Hammond’s multipart article “A Harvard Armory”, which appeared the Harvard Library Bulletin in the early 1980s.

It is important to note that Royall himself was not an agent of the slave trade (although he was a slave owner); furthermore, many historical figures have done great things in spite of their moral crimes, and we have no problem honoring them, while being cognizant of their shortcomings. But if Royall’s sins are judged to be too much, and to outweigh any good he did otherwise, it would be easy enough to find the coat of arms of someone else associated with the founding of HLS and change the HLS arms to be that, differenced by the chief of Harvard. (After all, the grant occurred in 1779, and HLS was only founded in 1817! Did Nathan Dane have a coat of arms? Joseph Story? John Ashmun? If so, it would be easy to substitute one of these shields for that of Royall. If not, it would also be easy to invent a coat of arms for HLS not referencing a person, but the law itself: a pair of crossed gavels, a gryphon, a balance, a book, etc.)

It’s not just the Ivy League that is sensitive to these issues. I discovered an article on Rantsports ranking all the helmets in the National Football League. This ranking was not done simply from a design perspective, but from a political one too. Thus, as you can probably imagine, the lowest-ranked helmet was that of the Washington Redskins. As the article says:

Whether you believe it should or should not, the Washington Redskins’ helmet sadly offends a portion of our country’s Native American population. Therefore, it lands at No. 32.

But then number 31 is the New Orleans Saints, for similar reasons.

saints

From Amazon.com

What could possibly be wrong with this clean, simple design of a fleur-de-lis, referencing New Orleans’s French heritage? The article claims that:

many feel it is racist in nature due to its history (which you can look up and decide for yourself). It seems like a rebrand is needed at this point. Washington and New Orleans are tied for the worst in my humble opinion.

As a Canadian I am used to seeing the fleur-de-lis used by the government of Quebec, and as a medievalist I am used to seeing it associated with the medieval French monarchy. I had never heard that it is racist. And yet, a quick Google search brought up an article by one Ashley Rae Goldenberg from July, 2015:

Slave historian Ibrahima Seck explained to WWLTV the fleur-de-lis is part of slave history.

According to Seck, the fleur-de-lis was implemented as part of the Louisiana “black code,” which were the rules for the French slave populations throughout the world.

Seck stated, as a punishment for a slave running away, slaves “would be taken before a court and the sentence would be being branded on one shoulder and with the fleur de lis, and then they would crop their ears.”

“As an African I find it painful, and I think people whose ancestors were enslaved here may feel it even harder than I do as an African,” Seck continued.

I thought this sounded suspiciously like an urban legend, but Article 38 of the French Code Noir really did order the branding of a fleur-de-lis on the shoulders of runaway slaves, among other indignities.

art38

But I confess I am not sympathetic to getting rid of the fleur-de-lis. Slavery was a cruel system, and the racism used to justify it is still with us in more than a few ways. This one historic use of the fleur-de-lis, however, is surely not enough to ruin its long and distinguished heraldic history. One cannot help but think that in this case, things really have Gone Too Far.

Paris

Generally I don’t like participating in Media Events, but the recent attacks in Paris have shocked me more than most jihadist activity in recent years. One thing to think about, though, if you’re going to Do Something about it on Facebook: the French tricolor is symbol of France – but a secular, republican symbol, like Marianne or the Coq gaulois. By all means change your profile picture if you wish, but be aware that it is somewhat incongruous to display a French flag with “pray for France” written on it. 

(St. Louis, St. Joan or St. Denis might be better choices here. Or Charles Martel himself!)

Given that the attacks took place in Paris, the arms of Paris might also be a good choice to show at this time. The motto, translated as “She is tossed by the waves, but does not sink,” seems especially appropriate.

640px-Armoiries_paris_faïence

Via Wikiwand.com

Flaggery

The Confederate battle flag might now be officially verboten, but that just means that it now flies all the more from private homes and vehicles. I have been interested to see other flags that accompany it: twice now I have seen pickup trucks with a battle flag flying on the one side, and an American flag flying on the other, as though to say no, this is not a symbol of treason, just Southern identity! Others try to link the “rebel” flag with the original rebellion of 1776, reiterating the Confederate argument that all they were doing was sticking it to the Man. “When in the course of human events…” and all that. Thus the display of the Southern Cross and the Pine Tree Flag outside the North Georgia Mercantile in White, Georgia:

Others have linked the battle flag with the Gadsden Flag (“Don’t Tread on Me”); I also saw a flag composed of Ben Franklin’s “Join, or Die” cartoon:

From Wikipedia

As far as I am aware this was never a flag as such, although it makes for a nice one. I suppose that to really go with the Confederate flag the sections should be relabeled so that only Southern states are depicted. But I think it was always taken for granted that the seceding states would form their own union (which they did on February 4, 1861, a mere 46 days after the first state broke away from the US).

Flag Day

It’s a day late, but here is how we celebrate flag day around here:

This is the Bennington Flag, which may date from the Battle of Bennington of 1777… or from the centennial of 1876. No one really knows. But it gets full retro style points!

For Dominion Day (July 1), this one is going out:

That’s the Red Ensign, used as a flag of Canada from 1921 until 1957, when the color of the leaves on the shield was changed from green to red. (In 1965, of course, the current Canadian flag was adopted.)